Clint Eastwood's Cinema of Trauma
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Throughout his directorial career, Clint Eastwood's movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order--a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films--from The Outlaw Josey Wales to Sully--as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.

Produktbeschreibung
Throughout his directorial career, Clint Eastwood's movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order--a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films--from The Outlaw Josey Wales to Sully--as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.
Autorenporträt
Charles R. Hamilton is a professor of English at Northeast Texas Community College in Mount Pleasant, teaching film, literature, and composition, and an adjunct professor at Texas A&M University Central Texas in Killeen. He is the chair of the Adaptation: Literature, Film, and Culture area for the Southwest Popular/American Culture Association. Allen H. Redmon is a professor of English and film studies at Texas A&M University-Central Texas. His research on Carl Theodor Dreyer, Clint Eastwood, and Quentin Tarantino looks at the ways they undermine the violence their films tolerate (if not celebrate).