Looks at Janequin's revolutionary approach to entertainment music, his role as a pioneer in the developing music-printing industry, and his contributions to sacred music
Looks at Janequin's revolutionary approach to entertainment music, his role as a pioneer in the developing music-printing industry, and his contributions to sacred musicHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
ROLF NORSEN is a choral conductor, stage director, and dramatist based in Norway and Italy. He is the author of several plays (in Norwegian) two opera librettos and I manoscritti musicali del Duomo di Castelfranco Veneto .
Inhaltsangabe
Preface Guidelines for the Reader Music Examples Secular Works Sacred Works Documents Manuscript Sources Printed Sources Chapter 1: Beginnings The Janequin Name The Janequin Family in Bourges The Janequin Family in Châtellerault Janequin's Date of Birth Chapter 2: Bordeaux The City and its Institutions Lancelot du Fau Choirmaster in Luçon Lancelot du Fau as Janequin's Patron Chapter 3: Descriptive Chansons "The Lark" ("L'Alouette"/"Or sus, or sus") (LM5a/b) "The Song of the Birds" ("Le Chant des oiseaux"/"Reveillez-vous") (LM2) "The Battle of Marignan" ("La Guerre"/"Escoutez") (LM3) "The Hunt" ("La Chasse"/"Gentilz veneurs") (LM4) "The Market Cries of Paris" ("Les Cris de Paris"/"Voulez ouyr") (LM14) Chronology of the Early Descriptive Chansons Shifts in Focus in the Early Descriptive Chansons Chapter 4: National Attention Archbishop Jean de Foix The Royal Visit to Bordeaux of 1526 Pierre Attaingnant and the Chansons de maistre Clement Janequin The Document Trail in Bordeaux "Chantons, sonnons" and the Release of the Princes (1530) Choirmaster in Auch (1531) The Missa La bataille of 1532 Chapter 5: Angers The Cathedral St. Maurice Françoise Auvé and the Abbey of Ronceray The Gondis, the Guises and Angevine Continuity Levron's "Western Renaissance" The Motets of 1533 Cathedral Choirmaster Chanson Production 1533-1537 Chanson Production 1537-1549 The Waning of the House of Attaingnant Periodization, Provincialism, and Productivity Chapter 6: Chansons musicales Categories Parameters Vocal Ranges Melodic Practice Tonality and Harmonic Practices Durational Values and Metric Combinations Texture Texts and Text Treatment Chapter 7: Du Chemin and the 28 Psalms of 1549 Changes at Court The Breaking of Attaingnant's Monopoly Changes in Angers Paris: When and How? Parisian Printer Nicolas du Chemin Du Chemin and Janequin The "Psalm Vogue" The 28 Psalms of 1549 Janequin's Motives Chapter 8: Paris 1551-1555 Claude Goudimel Pierre de Ronsard and Les Amours of 1552 The Mass "L'Aveuglé dieu" The Second Book of Spiritual Chansons and Cantiques The Invention Series Chapter 9: Prebends, Patrons, and the Commerce of Music Printing Prebends Court Support and Royal Titles Janequin and the Music Printing Industry 1528-1547 Janequin and the Music Printing Industry 1547-1558 Chapter 10: Paris 1556-1558 Fezandat Le Roy and Ballard The Premier livre of 1556 The Spiritual Chansons The Late Chansons The Proverbs The Verger de musique The 82 Psalms Last Will and Testament Epilogue Appendix A: Documents Appendix B: Manuscript Sources Appendix C: Printed Sources Appendix D: Revised Secular Catalogue Appendix E: Catalogue of Sacred Vocal Works by Janequin Bibliography Index
Preface Guidelines for the Reader Music Examples Secular Works Sacred Works Documents Manuscript Sources Printed Sources Chapter 1: Beginnings The Janequin Name The Janequin Family in Bourges The Janequin Family in Châtellerault Janequin's Date of Birth Chapter 2: Bordeaux The City and its Institutions Lancelot du Fau Choirmaster in Luçon Lancelot du Fau as Janequin's Patron Chapter 3: Descriptive Chansons "The Lark" ("L'Alouette"/"Or sus, or sus") (LM5a/b) "The Song of the Birds" ("Le Chant des oiseaux"/"Reveillez-vous") (LM2) "The Battle of Marignan" ("La Guerre"/"Escoutez") (LM3) "The Hunt" ("La Chasse"/"Gentilz veneurs") (LM4) "The Market Cries of Paris" ("Les Cris de Paris"/"Voulez ouyr") (LM14) Chronology of the Early Descriptive Chansons Shifts in Focus in the Early Descriptive Chansons Chapter 4: National Attention Archbishop Jean de Foix The Royal Visit to Bordeaux of 1526 Pierre Attaingnant and the Chansons de maistre Clement Janequin The Document Trail in Bordeaux "Chantons, sonnons" and the Release of the Princes (1530) Choirmaster in Auch (1531) The Missa La bataille of 1532 Chapter 5: Angers The Cathedral St. Maurice Françoise Auvé and the Abbey of Ronceray The Gondis, the Guises and Angevine Continuity Levron's "Western Renaissance" The Motets of 1533 Cathedral Choirmaster Chanson Production 1533-1537 Chanson Production 1537-1549 The Waning of the House of Attaingnant Periodization, Provincialism, and Productivity Chapter 6: Chansons musicales Categories Parameters Vocal Ranges Melodic Practice Tonality and Harmonic Practices Durational Values and Metric Combinations Texture Texts and Text Treatment Chapter 7: Du Chemin and the 28 Psalms of 1549 Changes at Court The Breaking of Attaingnant's Monopoly Changes in Angers Paris: When and How? Parisian Printer Nicolas du Chemin Du Chemin and Janequin The "Psalm Vogue" The 28 Psalms of 1549 Janequin's Motives Chapter 8: Paris 1551-1555 Claude Goudimel Pierre de Ronsard and Les Amours of 1552 The Mass "L'Aveuglé dieu" The Second Book of Spiritual Chansons and Cantiques The Invention Series Chapter 9: Prebends, Patrons, and the Commerce of Music Printing Prebends Court Support and Royal Titles Janequin and the Music Printing Industry 1528-1547 Janequin and the Music Printing Industry 1547-1558 Chapter 10: Paris 1556-1558 Fezandat Le Roy and Ballard The Premier livre of 1556 The Spiritual Chansons The Late Chansons The Proverbs The Verger de musique The 82 Psalms Last Will and Testament Epilogue Appendix A: Documents Appendix B: Manuscript Sources Appendix C: Printed Sources Appendix D: Revised Secular Catalogue Appendix E: Catalogue of Sacred Vocal Works by Janequin Bibliography Index
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