Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre.
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Catherine Burroughs is Professor of English at Wells College and Visiting Professor of English and the Performing Arts and Media Studies Department at Cornell University. A member of Actors' Equity Association, she is also a novelist.
Inhaltsangabe
I. CLOSET DRAMA AND STAGINGS OF HISTORY CHAPTER ONE: Introduction: "Closet Drama Studies" Catherine Burroughs CHAPTER TWO: The baroque closet: sovereignty and the "home theater" of Cervantes Philip Lorenz CHAPTER THREE: Inverted catharsis in Milton's Samson Agonistes Brendan Prawzdik CHAPTER FOUR: "Appalling tabernacle of self and unbelief": Wyndham Lewis's Enemy of the Stars Allan Pero II. GENDER, SEXUAL POLITICS, AND THE CLOSET CHAPTER FIVE: Horror and terror, gender and fear in Joanna Baillie's Orra Lilla Crisafulli CHAPTER SIX: Restoration in the closet: Felicia Hemans' drama in the Napoleonic aftermath Diego Saglia CHAPTER SEVEN: Michael Field's Stephania: the closet drama as a space for female fortitude and artistic agency Michelle S. Lee III. CLOSET DRAMA AND GENRE CHAPTER EIGHT: "Closeted" discourses in private theatricals: the mystification of genre and audience in Christian Carstairs' The Hubble-Shue Gioia Angeletti CHAPTER NINE: Scarred phonation and the act of listening in Byron's Marino Faliero Elizabeth Effinger CHAPTER TEN: "Crazier than a fish with titties": the hybridity of closet drama in R. Kelly's Trapped in the ClosetFredric V. Bogel IV: FUTURE DIRECTIONS FOR CLOSET DRAMA STUDIES CHAPTER ELEVEN: Closet television, queer Hooperman Nick Salvato CHAPTER TWELVE: Theatrical performance in the margins: imagined theatres on page and stage Daniel Sack Appendix: uncloseting Jonas Barish's book on closet drama Catherine Burroughs
I. CLOSET DRAMA AND STAGINGS OF HISTORY CHAPTER ONE: Introduction: "Closet Drama Studies" Catherine Burroughs CHAPTER TWO: The baroque closet: sovereignty and the "home theater" of Cervantes Philip Lorenz CHAPTER THREE: Inverted catharsis in Milton's Samson Agonistes Brendan Prawzdik CHAPTER FOUR: "Appalling tabernacle of self and unbelief": Wyndham Lewis's Enemy of the Stars Allan Pero II. GENDER, SEXUAL POLITICS, AND THE CLOSET CHAPTER FIVE: Horror and terror, gender and fear in Joanna Baillie's Orra Lilla Crisafulli CHAPTER SIX: Restoration in the closet: Felicia Hemans' drama in the Napoleonic aftermath Diego Saglia CHAPTER SEVEN: Michael Field's Stephania: the closet drama as a space for female fortitude and artistic agency Michelle S. Lee III. CLOSET DRAMA AND GENRE CHAPTER EIGHT: "Closeted" discourses in private theatricals: the mystification of genre and audience in Christian Carstairs' The Hubble-Shue Gioia Angeletti CHAPTER NINE: Scarred phonation and the act of listening in Byron's Marino Faliero Elizabeth Effinger CHAPTER TEN: "Crazier than a fish with titties": the hybridity of closet drama in R. Kelly's Trapped in the ClosetFredric V. Bogel IV: FUTURE DIRECTIONS FOR CLOSET DRAMA STUDIES CHAPTER ELEVEN: Closet television, queer Hooperman Nick Salvato CHAPTER TWELVE: Theatrical performance in the margins: imagined theatres on page and stage Daniel Sack Appendix: uncloseting Jonas Barish's book on closet drama Catherine Burroughs
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