Closing Melodies - Hanshe, Rainer J; Nietzsche, Friedrich W; Gogh, Vincent Van
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As the 19th century comes to a close, Friedrich Nietzsche and Vincent van Gogh unknowingly traverse proximate geographical terrain, nearly circling one another like close but distant stars as the philosopher wanders between Nizza, Sils Maria, and Torino, and the painter wanders between Paris, Arles, and Saint-Rémy. In the midst of their philosophical and artistic pursuits, simultaneously, the Eiffel Tower, symbol of artistic progress and industrialization, begins to rise in Paris amidst clamors of protest and praise. Through intertwining letters written to (& sometimes by) friends, family, and…mehr

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Produktbeschreibung
As the 19th century comes to a close, Friedrich Nietzsche and Vincent van Gogh unknowingly traverse proximate geographical terrain, nearly circling one another like close but distant stars as the philosopher wanders between Nizza, Sils Maria, and Torino, and the painter wanders between Paris, Arles, and Saint-Rémy. In the midst of their philosophical and artistic pursuits, simultaneously, the Eiffel Tower, symbol of artistic progress and industrialization, begins to rise in Paris amidst clamors of protest and praise. Through intertwining letters written to (& sometimes by) friends, family, and others, the philosopher and painter are brought into ever-greater proximity as we witness their daily personal and artistic struggles. Woven between and interrupting this panoply of voices are a series of intervals, short illuminating blasts, like a camera's exploding flash powder, of artistic, scientific, political, and other events spanning 1888 to 1890, drawing Nietzsche and Van Gogh in and out of the wider expanses of history. As construction of the Eiffel Tower comes to completion in Paris and Elisabeth Förster, the sister of the philosopher of the will to power, tries to found a utopic race colony in South America, the lives of Nietzsche and Van Gogh come to their terrible denouements. Her brother now a full-fledged zombie, the former queen of Nueva Germania seizes the reins of his living corpse and rides him into the future. With no deus ex machina in sight, and none possible, WWI and the terrors and the beauties of the 20th century crack the horizon.
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Autorenporträt
Rainer J. Hanshe is a writer and the founder of Contra Mundum Press and the journal Hyperion: On the Future of Aesthetics. He is the author of two novels, The Acolytes (2010) and The Abdication (2012), and the editor of Richard Foreman's Plays with Films (2013) and Wordsworth's Fragments (2014). He is also the author of the hybrid entity Shattering the Muses (2016), a collaboration with visual artist Federico Gori, Closing Melodies (2023), a phantomatic encounter between Nietzsche & Van Gogh, and Dionysos Speed (2024). Work of his has appeared in Caesura, Sinn und Form, ChrisMarker.org, Asymptote, Black Sun Lit's Vestiges, and elsewhere. In 2016, Petite Plaisance published an Italian translation of his second novel, The Abdication. Shorter and longer works of his have been translated into other languages, and in 2021, the journal Po&sie staged an event at Maison de la poésie in Paris to honor his work. His own translations include Baudelaire's My Heart Laid Bare (2017; 2020), Belgium Stripped Bare (2019), and Paris Spleen (2021), Évelyne Grossman's The Creativity of the Crisis, and Antonin Artaud's Journey to Mexico: Revolutionary Messages, as well as longer and shorter works by other authors. His translation of Léon-Paul Fargue's High Solitude is forthcoming in 2024. Beyond Sense, a vatic exploration of the aphasiac disintegration of Hölderlin, Baudelaire, Nietzsche, and Artaud, is forthcoming in 2025, The Accumulating Wreckage: Poems, Essays, & Other Texts in 2026, and Paris Without End: Assorted Translations From Giacometti to Artaud: 1914-1964 in 2027. He is at work on a new book entitled Humanimality. Author site: literaryabsolute.com