Richard Preiss presents a lively and provocative study of how the ever-popular stage clown shaped early modern playhouse theatre.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard Preiss is Associate Professor of English at the University of Utah, where he teaches undergraduate and graduate courses on Shakespeare, early modern drama, and Renaissance literature. He has edited The Tempest: Shakespeare in Performance (2008), and his essays have appeared in publications including Renaissance Drama, Shakespeare Yearbook, and From Performance to Print in Shakespeare's England (2005). He is also a contributor to the forthcoming collections The Cambridge Guide to the Worlds of Shakespeare and Early Modern Theatricality.
Inhaltsangabe
Introduction: the play is not the thing 1. What audiences did 2. Send in the clown 3. Wiring Richard Tarlton 4. Nobody's business 5. Private practice Epilogue: the principal verb.
Introduction: the play is not the thing 1. What audiences did 2. Send in the clown 3. Wiring Richard Tarlton 4. Nobody's business 5. Private practice Epilogue: the principal verb.
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