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"Joaquâin Sorolla's is one of the most popular works in the history of Spanish art. Paradoxically, little is known of his fascinating life. Wanted by every social and intellectual elite in Europe and the American continent, he was one of the greatest artists of his time, and triumphed both in the Paris halls and the burgeoning New York. He lived in the fascinating world at the end of the nineteenth and early twentieth centuries, with modernity in development and the arrival of magnificent inventions. Sorolla experienced the revelry of the Belle Époque, a Madrid of coteries and zarzuela, and…mehr

Produktbeschreibung
"Joaquâin Sorolla's is one of the most popular works in the history of Spanish art. Paradoxically, little is known of his fascinating life. Wanted by every social and intellectual elite in Europe and the American continent, he was one of the greatest artists of his time, and triumphed both in the Paris halls and the burgeoning New York. He lived in the fascinating world at the end of the nineteenth and early twentieth centuries, with modernity in development and the arrival of magnificent inventions. Sorolla experienced the revelry of the Belle Époque, a Madrid of coteries and zarzuela, and the tribulations of the '98 Spanish literary generation, which judged the "joie de vivre" in his paintings."--
Autorenporträt
César Suárez Martínez (Madrid, 1975) es periodista especializado en cultura. Desde hace quince años es redactor jefe de la revista Telva, donde ha entrevistado a las principales figuras del cine, la música, las artes y la literatura. Aprecia la utilidad de lo inútil, las historias bien contadas, las voces del pasado y las palmas al compás. En el fondo de pantalla del ordenador en el que ha escrito este libro, hay un autorretrato de Sorolla de 1909 dedicado a su mujer.