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Coalesce by Barry Ace juxtaposes and integrates Western technological discarded materials with Anishinaabeg material culture, such as glass beads and porcupine quills, to create objects that reject any notions of cultural stasis. By mixing disparate materials, Ace demonstrates the continuum of Anishinaabeg innovation and expression, which knowingly coalesce and segue seamlessly into contemporary Anishinaabeg artistic tradition.

Produktbeschreibung
Coalesce by Barry Ace juxtaposes and integrates Western technological discarded materials with Anishinaabeg material culture, such as glass beads and porcupine quills, to create objects that reject any notions of cultural stasis. By mixing disparate materials, Ace demonstrates the continuum of Anishinaabeg innovation and expression, which knowingly coalesce and segue seamlessly into contemporary Anishinaabeg artistic tradition.
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Autorenporträt
Barry Ace is an Anishnaabe (Odawa) visual artist, writer, and educator who lives in Ottawa. A band member of M'Chigeeng First Nation in Manitoulin Island, his mixed media, assemblage, and textile works draw from various aspects of Anishnaabeg culture to explore cultural continuity and the confluence of the historical and contemporary. Ace has exhibited his works in important international venues, including the American Indian Community House Gallery in New York, the Nordamerika Native Museum in Zurich, and the Peabody Essex Museum in Massachusetts.Suzanne Luke is the Curator of the Robert Langen Art Gallery at Wilfrid Laurier University. Armand Garnet Ruffo was born in Chapleau, northern Ontario, and draws on his Ojibwe heritage for his writing. He is the recipient of the 2020 Latner Writers' Trust Poetry Prize. His publications include Norval Morrisseau: Man Changing Into Thunderbird (2014) and Treaty # (2019), both finalists for Governor General's Literary Awards. He teaches at Queen's University in Kingston, Ontario.