Cognate Music Theories
The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Herausgeber: Prats-Arolas, Ignacio
Cognate Music Theories
The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Herausgeber: Prats-Arolas, Ignacio
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This volume explores the possibilities of cognate music theory, a concept introduced by the musicologist John Walter Hill to describe culturally and historically situated music theory.
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This volume explores the possibilities of cognate music theory, a concept introduced by the musicologist John Walter Hill to describe culturally and historically situated music theory.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 286
- Erscheinungstermin: 13. März 2024
- Englisch
- Abmessung: 254mm x 178mm x 19mm
- Gewicht: 748g
- ISBN-13: 9781032025940
- ISBN-10: 1032025948
- Artikelnr.: 69431161
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 286
- Erscheinungstermin: 13. März 2024
- Englisch
- Abmessung: 254mm x 178mm x 19mm
- Gewicht: 748g
- ISBN-13: 9781032025940
- ISBN-10: 1032025948
- Artikelnr.: 69431161
Ignacio Prats-Arolas is on the faculty of musicology at the Conservatorio Superior de Música "Joaquín Rodrigo" in Valencia, Spain and teaches courses on music at the Florida State University Valencia Study Center. He holds a PhD in musicology from the University of Illinois, Urbana-Champaign.
1. Musicology beyond historicism: Epistemological implications and scope of
John Walter Hill's cognate music theory Ignacio Prats-Arolas Part I:
Framing concepts 2. Cognate music theory John Walter Hill 3. Insiders and
outsiders: Revisiting Indigenous musical thought Bruno Nettl Part II:
Syntax, form, and genre 4. Heinrich Christoph Koch's description of the
Andantino e cantabile in Joseph Haydn's Symphony No. 42 as a response to
recent sonata theories Gregory Hellenbrand 5. Artisanal knowledge as a
cognate music theory: Reading a partimento Robert Gjerdingen 6.
Intersections of biography, analysis, and performance: Beethoven at
Heiligenstadt in 1802 William Kinderman 7. A cognate theory of generic
classification in the Airs sérieux et à boire of Sébastien de Brossard
Kenneth Smith Part III: Rhetoric and emotions 8. Ripa's Iconologia as a
source for musical rhetoric of the seventeenth century Barbara Russano
Hanning 9. The language of emotions from Descartes to Metastasio Álvaro
Torrente and José María Domínguez Part IV: Timbre, color, and temperament
10. "Quegli strumenti, che erano più atti a far proporzionata
accompagnatura al balletto a cavallo": Envisioning a cognate theory of
instrumental timbre in early modern Florence Kelley Harness 11. "Énergie
des modes":Tuning and temperament in seventeenth-century France Charlotte
Mattax Moersch 12. "Il cembalo de' colori, e la musica degli occhi":
Francesco Algarotti and a cognate concept of music in the age of the
Enlightenment Bella Brover-Lubovsky Part V: Historical sources and cultural
hermeneutics 13. Insider and outsider views in early modern correspondence
involving patrons and musicians Dinko Fabris 14. Anthropology, music, and
theater in a seventeenth-century year Robert L. Kendrick 15. Song about
song, music about life: Herder on music's transcendent moment Philip V.
Bohlman. Index
John Walter Hill's cognate music theory Ignacio Prats-Arolas Part I:
Framing concepts 2. Cognate music theory John Walter Hill 3. Insiders and
outsiders: Revisiting Indigenous musical thought Bruno Nettl Part II:
Syntax, form, and genre 4. Heinrich Christoph Koch's description of the
Andantino e cantabile in Joseph Haydn's Symphony No. 42 as a response to
recent sonata theories Gregory Hellenbrand 5. Artisanal knowledge as a
cognate music theory: Reading a partimento Robert Gjerdingen 6.
Intersections of biography, analysis, and performance: Beethoven at
Heiligenstadt in 1802 William Kinderman 7. A cognate theory of generic
classification in the Airs sérieux et à boire of Sébastien de Brossard
Kenneth Smith Part III: Rhetoric and emotions 8. Ripa's Iconologia as a
source for musical rhetoric of the seventeenth century Barbara Russano
Hanning 9. The language of emotions from Descartes to Metastasio Álvaro
Torrente and José María Domínguez Part IV: Timbre, color, and temperament
10. "Quegli strumenti, che erano più atti a far proporzionata
accompagnatura al balletto a cavallo": Envisioning a cognate theory of
instrumental timbre in early modern Florence Kelley Harness 11. "Énergie
des modes":Tuning and temperament in seventeenth-century France Charlotte
Mattax Moersch 12. "Il cembalo de' colori, e la musica degli occhi":
Francesco Algarotti and a cognate concept of music in the age of the
Enlightenment Bella Brover-Lubovsky Part V: Historical sources and cultural
hermeneutics 13. Insider and outsider views in early modern correspondence
involving patrons and musicians Dinko Fabris 14. Anthropology, music, and
theater in a seventeenth-century year Robert L. Kendrick 15. Song about
song, music about life: Herder on music's transcendent moment Philip V.
Bohlman. Index
1. Musicology beyond historicism: Epistemological implications and scope of
John Walter Hill's cognate music theory Ignacio Prats-Arolas Part I:
Framing concepts 2. Cognate music theory John Walter Hill 3. Insiders and
outsiders: Revisiting Indigenous musical thought Bruno Nettl Part II:
Syntax, form, and genre 4. Heinrich Christoph Koch's description of the
Andantino e cantabile in Joseph Haydn's Symphony No. 42 as a response to
recent sonata theories Gregory Hellenbrand 5. Artisanal knowledge as a
cognate music theory: Reading a partimento Robert Gjerdingen 6.
Intersections of biography, analysis, and performance: Beethoven at
Heiligenstadt in 1802 William Kinderman 7. A cognate theory of generic
classification in the Airs sérieux et à boire of Sébastien de Brossard
Kenneth Smith Part III: Rhetoric and emotions 8. Ripa's Iconologia as a
source for musical rhetoric of the seventeenth century Barbara Russano
Hanning 9. The language of emotions from Descartes to Metastasio Álvaro
Torrente and José María Domínguez Part IV: Timbre, color, and temperament
10. "Quegli strumenti, che erano più atti a far proporzionata
accompagnatura al balletto a cavallo": Envisioning a cognate theory of
instrumental timbre in early modern Florence Kelley Harness 11. "Énergie
des modes":Tuning and temperament in seventeenth-century France Charlotte
Mattax Moersch 12. "Il cembalo de' colori, e la musica degli occhi":
Francesco Algarotti and a cognate concept of music in the age of the
Enlightenment Bella Brover-Lubovsky Part V: Historical sources and cultural
hermeneutics 13. Insider and outsider views in early modern correspondence
involving patrons and musicians Dinko Fabris 14. Anthropology, music, and
theater in a seventeenth-century year Robert L. Kendrick 15. Song about
song, music about life: Herder on music's transcendent moment Philip V.
Bohlman. Index
John Walter Hill's cognate music theory Ignacio Prats-Arolas Part I:
Framing concepts 2. Cognate music theory John Walter Hill 3. Insiders and
outsiders: Revisiting Indigenous musical thought Bruno Nettl Part II:
Syntax, form, and genre 4. Heinrich Christoph Koch's description of the
Andantino e cantabile in Joseph Haydn's Symphony No. 42 as a response to
recent sonata theories Gregory Hellenbrand 5. Artisanal knowledge as a
cognate music theory: Reading a partimento Robert Gjerdingen 6.
Intersections of biography, analysis, and performance: Beethoven at
Heiligenstadt in 1802 William Kinderman 7. A cognate theory of generic
classification in the Airs sérieux et à boire of Sébastien de Brossard
Kenneth Smith Part III: Rhetoric and emotions 8. Ripa's Iconologia as a
source for musical rhetoric of the seventeenth century Barbara Russano
Hanning 9. The language of emotions from Descartes to Metastasio Álvaro
Torrente and José María Domínguez Part IV: Timbre, color, and temperament
10. "Quegli strumenti, che erano più atti a far proporzionata
accompagnatura al balletto a cavallo": Envisioning a cognate theory of
instrumental timbre in early modern Florence Kelley Harness 11. "Énergie
des modes":Tuning and temperament in seventeenth-century France Charlotte
Mattax Moersch 12. "Il cembalo de' colori, e la musica degli occhi":
Francesco Algarotti and a cognate concept of music in the age of the
Enlightenment Bella Brover-Lubovsky Part V: Historical sources and cultural
hermeneutics 13. Insider and outsider views in early modern correspondence
involving patrons and musicians Dinko Fabris 14. Anthropology, music, and
theater in a seventeenth-century year Robert L. Kendrick 15. Song about
song, music about life: Herder on music's transcendent moment Philip V.
Bohlman. Index