The diverse voices in the poems in this collection are unified in the single voice of the omnipresent persona who appears to be searching for a collective voice, some kind of order or rhythm that would impose meaning to life. Reading the poems constitutes an individual journey. This poetic journey from Awakening that takes the reader to Moonlight Spells & Wreaths and leads her/him through Laments to the Epilogue is a continuous movement in the search for humanity's existence. As a metaphor of self-discovery, the poetic quest is both an expression of, and a search for mankind's elusive…mehr
The diverse voices in the poems in this collection are unified in the single voice of the omnipresent persona who appears to be searching for a collective voice, some kind of order or rhythm that would impose meaning to life. Reading the poems constitutes an individual journey. This poetic journey from Awakening that takes the reader to Moonlight Spells & Wreaths and leads her/him through Laments to the Epilogue is a continuous movement in the search for humanity's existence. As a metaphor of self-discovery, the poetic quest is both an expression of, and a search for mankind's elusive self-that single, unbroken umbilical cord that is firmly rooted in the African experience and identity. Ba'bila Mutia teaches oral and written literatures, creative writing, advanced writing and research methodology, at the University of Yaoundé I. His poetry and short stories have been featured in anthologies and reviews worldwide, and his work has been broadcast on the BBC. In June of 1993 Mutia was honoured by the Berlin Academy of Arts as special guest writer in an international writers' reading. He is the author of Whose Land? (Longman), Before This Time, Yesterday (Silex/Nouvelles du Sud) and "The Miracle" in the Heinemann Book of Contemporary African Short Stories.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ba'bila Mutia is an award-winning Cameroonian author, poet, and playwright. He holds an MA in Creative Writing from the University of Windsor, Canada. His short stories and poetry have been featured in anthologies and reviews worldwide. He is the author of Whose Land? (Longman children's fiction); "Rain" (short story) in A Window on Africa; "The Miracle" (short story) in The Heinemann Book of Contemporary African Short Stories; "The Spirit Machine" (short story) in The Spirit Machine and Other New Short Stories from Cameroon, Coils of Mortal Flesh (poetry) and The Journey's End (2016). In 1993, Mutia was a guest of the Berlin Academy of Arts for an international short story reading. In September 2011, Mutia's play, The Road to Goma, was among six winners of the African Playwriting Project sponsored by the London National Theatre Studio where excerpts of his play were staged by professional actors. He has lived in Lagos and Benin City (Nigeria), Windsor and Halifax (Canada). He currently resides in Yaoundé, Cameroon where he is professor of African literature and creative writing at the École Normale Supérieure.
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