'Examining the persistence of the Cold War's massive restructuring of our lifeworld, this fascinating collection provides a series of incisive case studies that explores key sites of interaction between politics, technoscience and various modalities of cultural production since the mid-twentieth century. Taken together, these interlinked microhistories provide both a powerful demonstration of the book's central thesis regarding the Cold War - the degree to which, even 'after', we continue to live within it - and an important resource for the challenge of thinking beyond its legacies.' Mark…mehr
John Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London. He is the author of Writing the Radical Center: William Carlos Williams John Dewey, and American Cultural Politics (SUNY, 2001) and Dirty Wars: Landscape, Power, and Waste in Western American Literature (University of Nebraska Press, 2009) co-editor of American Visual Cultures (Continuum, 2005). Ryan Bishop is Professor of Global Arts and Politics and Co-director of the research group Archaeologies of Media and Technology at the Winchester School of Art, University of Southampton, United Kingdom. He co-edits the journal Cultural Politics (Duke UP), and is a series editor for Technicities (Edinburgh University Press) and Cultural Politics (Duke UP).
Inhaltsangabe
Acknowledgements List of Illustrations Notes on contributors Introduction I. Pattern Recognition: 1. The Future: RAND, Brand and Dangerous to Know 2. Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards 3. Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts II The Persistence of the Nuclear: 4. The Meaning of Monte Bello 5. Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo 6. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity 7. Alchemical Transformations?: Fictions of the Nuclear State after 1989 III. Ubiquitous Surveillance: 8. 'The Very Form of Perverse Artificial Societies': The Unstable Emergence of the Network Family From its Cold War Nuclear Bunker 9. The Signal Haunted Cold War: Persistence of the SIGINT Ontology 10. 'Bulk Surveillance' or, the Elegant Technicities of Metadata IV. Pervasive Mediations: 11. Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower 12. Insect Technics: War Vision Machines 13. Overt Research 14. Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems Index.
Acknowledgements List of Illustrations Notes on contributors Introduction I. Pattern Recognition: 1. The Future: RAND, Brand and Dangerous to Know 2. Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards 3. Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts II The Persistence of the Nuclear: 4. The Meaning of Monte Bello 5. Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo 6. Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity 7. Alchemical Transformations?: Fictions of the Nuclear State after 1989 III. Ubiquitous Surveillance: 8. 'The Very Form of Perverse Artificial Societies': The Unstable Emergence of the Network Family From its Cold War Nuclear Bunker 9. The Signal Haunted Cold War: Persistence of the SIGINT Ontology 10. 'Bulk Surveillance' or, the Elegant Technicities of Metadata IV. Pervasive Mediations: 11. Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower 12. Insect Technics: War Vision Machines 13. Overt Research 14. Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems Index.
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