Silvia Bigliazzi

Collaboration in the Arts from the Middle Ages to the Present

• Broschiertes Buch

Produktbeschreibung

'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 236
• Erscheinungstermin: 14. Januar 2020
• Englisch
• Abmessung: 234mm x 156mm x 13mm
• Gewicht: 365g
• ISBN-13: 9781138356702
• ISBN-10: 1138356700
• Artikelnr.: 58449407

Autorenporträt

Silvia Bigliazzi is Professor of English Literature at Verona University.

Inhaltsangabe

Contents: Introduction
Silvia Bigliazzi and Sharon Wood; Tradition as collaboration: the public and the private in The Physician's Tale
Enrico Giaccherini; Reading images: church murals and collaboration between media in medieval England
Miriam Gill; The necessary complement: collaborative reading and writing in Mill on the Floss
Emily Eells; Collaboration as ideology: theory and practice of Geselligkeit in German Romanticism
Richard Littlejohns; Class and collaboration: what about the workers?
Kathleen Bell; Collaborating media and symbolic fractures in Wilde's Salome
Silvia Bigliazzi; Secret agencies: Ford
Conrad
collaboration and conspiracy
Max Saunders; The Inheritors: Conrad and Ford's extravagant story
Mario Curreli; On the losing side: Francis Stuart
Henry Williamson and collaboration
Mark Rawlinson; Intertextuality
collaboration and gender: The Whisperers
or
'Frances Sheridan's A Trip to Bath as completed by Elizabeth Kuti'
Sara Soncini; A quattro mani: the politics of collaboration in Italian immigrant literature
Sharon Wood; Collaboration begins at home: racism and our Roma therapy
Tony Kushner; Studying the reception of Shakespeare's Hamlet: a hyper-text of 19th-century promptbooks as teaching material
Carla Dente; Landscape archaeology in Pisa and the POPULUS project: paying attention and being selective
Marinella Pasquinucci and Alessandro Launaro; Bibliography; Index.