Celebrating plurality in collaboration and underscoring the truly social nature of nineteenth-century writing, Heather Witcher draws on a range of examples to show the myriad ways, both social and material, in which nineteenth-century authors interacted and co-created. Ultimately, this study overhauls how we view authorship itself.
Celebrating plurality in collaboration and underscoring the truly social nature of nineteenth-century writing, Heather Witcher draws on a range of examples to show the myriad ways, both social and material, in which nineteenth-century authors interacted and co-created. Ultimately, this study overhauls how we view authorship itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Heather Bozant Witcher is an Assistant Professor at Auburn University at Montgomery. Her research focuses on nineteenth-century poetics, collaboration, and sociability, as well as archival theory and digital humanities. She is the co-editor of Defining Pre-Raphaelite Poetics (2020) and was the 2016 Amy P. Goldman Fellow in Pre-Raphaelite Studies.
Inhaltsangabe
Introduction 1. Adam Smith's liberal sympathy 2. 'O you pretty Pecksie!': The collaborative process of Mary Shelley and Percy Bysshe Shelley 3. Written-visual aesthetics: The Rossettis and the Pre-Raphaelites 4. Typographical adventures: William Morris, community, and the Kelmscott Press 5. Sim and Puss: The sympathetic mirroring of Michael Field 6. Towards empathy: Vernon Lee's psychological aesthetics Conclusion.
Introduction 1. Adam Smith's liberal sympathy 2. 'O you pretty Pecksie!': The collaborative process of Mary Shelley and Percy Bysshe Shelley 3. Written-visual aesthetics: The Rossettis and the Pre-Raphaelites 4. Typographical adventures: William Morris, community, and the Kelmscott Press 5. Sim and Puss: The sympathetic mirroring of Michael Field 6. Towards empathy: Vernon Lee's psychological aesthetics Conclusion.
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