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Collected Poems Vol. 1 - Riley, Peter
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A major event, the publication of Peter Riley's collected poems in two volumes covers his work from the early 1960s to today. Volume 1 covers 1962-1997, encompassing books such as Love-Strife Machine, The Linear Journal, The Llyn Writings, The Derbyshire Poems (including Lines on the Liver and Tracks and Mineshafts), Noon Province, Reader, Lecture, Author and Snow has Settled…

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Produktbeschreibung
A major event, the publication of Peter Riley's collected poems in two volumes covers his work from the early 1960s to today. Volume 1 covers 1962-1997, encompassing books such as Love-Strife Machine, The Linear Journal, The Llyn Writings, The Derbyshire Poems (including Lines on the Liver and Tracks and Mineshafts), Noon Province, Reader, Lecture, Author and Snow has Settled…
Autorenporträt
Peter Riley was born in Stockport in 1940. His education was at Stockport Grammar School, Pembroke College Cambridge, and the Universities of Sussex and Keele, and he has lived since in the south-east of England, Denmark, the Peak District, Cambridge, and Hebden Bridge. His first book of poetry was published in 1969. His poetry has always pursued the intersection of diurnal and exceptional experience, the commonplace and the potential, seeking to inhabit the route where language, on a loose rein, leads the author towards the unexpected recognition. It is also a poetry of result, personal, political, and historical, so it does not exhort and it does not decry: it stands witness. While much of it is a pure extension of the local, Riley sometimes takes up the technique of describing an elsewhere - a foreign, unknown place, a prehistoric grave, a very new or very old music and asking it to declare its hidden messages and singing its song. His several books of prose have worked out some of these concerns in studies of Transylvanian village music, travel notes in Romania, English village carols and improvised music. Since 2012 he has been the poetry editor of The Fortnightly Review (website) where the purpose of his reviewing has been to establish a way of describing the appearance and results of poetry without recourse to any of the closed or parochial vocabularies. His poetry is itself the central and generative point of all these possible avenues, and has ventured into intense compaction and expansive narration, hop-skip-jumps and immense rambles, always returning sooner or later to the known percept, the only workable meeting place.