Collecting and Provenance

A Multidisciplinary Approach
Herausgeber: Milosch, Jane; Pearce, Nick

• Broschiertes Buch

Produktbeschreibung

The book fills a gap in the study of provenance, taking the subject holistically and from multiple standpoints, which better reflect the widening interest in provenance from a range of disciplinary perspectives.

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Produktdetails

• Verlag: Rowman & Littlefield Publishers
• Seitenzahl: 452
• Erscheinungstermin: 28. Oktober 2019
• Englisch
• Abmessung: 254mm x 178mm x 24mm
• Gewicht: 844g
• ISBN-13: 9781538127575
• ISBN-10: 1538127571
• Artikelnr.: 56929958

Autorenporträt

Jane Milosch directs the Smithsonian Institution's Provenance Research Exchange Program, and was founding director of the Provenance Research Initiative (SPRI), which focused on WWII-era provenance research, international cultural heritage, and training programs. She previously served as Senior Program Officer for Art, leading pan-institutional programs and strategic planning efforts, and was appointed the U.S. Representative to Germany's "Schwabing Art Trove" Task Force. She has held curatorial positions at the Renwick Gallery, Smithsonian American Art Museum, Washington, DC. and in Detroit, Iowa, and Munich, Germany, and is an Honorary Professor in the School of Culture & Creative Arts, University of Glasgow. Nick Pearce holds the Sir John Richmond Chair of Fine Art at the University of Glasgow, and specializes in the arts of China, most particularly in the context of the history of collecting. His career has spanned both museums and universities, as he has held positions at the Victoria & Albert Museum, The Burrell Collection in Glasgow, and at Durham and Edinburgh universities. He joined the University of Glasgow in 1998, where he has held the positions of Head of History of Art and Head of the School of Culture & Creative Arts, and is a Smithsonian Research Associate.

Inhaltsangabe

Foreword Lynn H. Nicholas
Independent Scholar Preface Richard Kurin
Smithsonian Institution Introduction Acknowledgements Nick Pearce
University of Glasgow
and Jane C. Milosch
Smithsonian Institution Provenance: Past and Future Challenges 1.The Provenance of Provenances Christian Huemer
Österreichische Galerie Belvedere 2.Intellectual Property and Ownership History Christel H. Force
The Metropolitan Museum of Art 3.Provenance Research in Museums: From the Back of the House to the Front Jane C. Milosch and Andrea Hull
Smithsonian Provenance Research Initiative (SPRI) 4.Transforming Research Methodologies: The Frick Art Reference Library's Collaborative Approach Louisa Wood Ruby and Samantha Deutch
The Frick Art Reference Library 5.Digging in Digital Archives: Recovering Context for the Getty Museum's Orpheus Mosaic Nicole Budrovich
J. Paul Getty Museum 6.Exhibiting Provenance in the University Museum: A Case Study Nancy Karrels
University of Illinois
Urbana-Champaign 7.Provenance in 2050 David Newbury
J. Paul Getty Trust
and Louise Lippincott
Carnegie Museum of Art Objects in Motion 8.Provenance as Palimpsest: The Mazarin Venus Judith Barr
J. Paul Getty Museum 9.Archaeology
Fakery
and Lunacy: N.S. Brown's Chinese Neolithic Collection Nick Pearce
University of Glasgow 10.The Importance of Provenance in Nineteenth-Century Paris and Beyond: Four Works of Art from Prince Pierre Soltykoff's Famed Collection of Medieval Art Christine E. Brennan
The Metropolitan Museum of Art 11.The Medieval Bury Chest: Mapping the Journey from Durham Cathedral to the Burrell Collection
Glasgow Elizabeth Hancock
University of Glasgow; Erma Hermens
Rijksmuseum; and Lindsay Gordon
Glasgow Museums 12.Plunder
Dissolution
and Dodgy Dealing: The International Market for Spanish Art in the Nineteenth Century Hilary Macartney
University of Glasgow
and Véronique Gerard Powell
Paris-Sorbonne Université 13.Documenting the Violin Trade in Paris: The Archives of Albert Caressa and Émile Français
1930-1945 Carla Shapreau
University of California
Berkeley; Jean-Philippe Échard and Christine Laloue
Musée de la musique
Paris 14.Twice Plundered
and Still Far from Home: Tracing Nazi-Looted Books in Minsk and Moscow Patricia Kennedy Grimsted
Davis Center for Russian and Eurasian Studies and the Ukrainian Research Institute
Harvard University Museums and Collection Formation: Provenancing Art and Nature 15.Lost and Found: Reestablishing Provenance for an Entire Museum Collection Ann McMullen and Maria Galban
National Museum of the American Indian 16.Thomas Pattinson Yeats (1746-1782)
Naturalist: Connecting Margaret Bentinck
Duchess of Portland
and William Hunter E. Geoffrey Hancock
University of Glasgow 17.A Kato Mosi Kaka and Other Tongan Treasures from the United States Exploring Expedition (1838-1842) in the Smithsonian Institution Adrienne L. Kaeppler
National Museum of Natural History 18.Provenance and Place in Indigenous Australia Gaye Sculthorpe
British Museum 19.Pursuing Provenance: Perspectives on the Arts of Africa Christine Mullen Kreamer
National Museum of African Art 20.One Object
Three Histories: Provenancing the Dromedary Louise Lippincott
Carnegie Museum of Art 21.Forest Gold Edward J. Bronikowski
Smithsonian's National Zoological Park Conservation Biology Institute Provenance and Collecting Policies: Practical
Legal
and Ethical Challenges 22.A Voyage into the Half-known: Museum Ethics in the Early Twentieth Century Petra Winter
Staatliche Museen
and Carola Thielecke
Stiftung Preußischer Kulturbesitz 23.Forgotten Language of the Ledger: Signaling Ownership
Authority
and Provenance with Museum Accession Status Joshua Gorman
National Museum of American History 24.The Holy Family on an Unholy Odyssey: Legal Ownership of Stolen Trophy Art Christa Roodt
University of Glasgow 25.Problems
Practices
and Politics of Provenancing Objects from China's Yuanmingyuan Louise Tythacott
University of London 26.Crisis Response and Beyond: The National Gallery of Australia's Asian Art Provenance Project and Other New Initiatives Bronwyn Campbell
National Gallery of Australia 27.Antiquities Trafficking and the Provenance Problem Donna Yates and Emiline Smith
University of Glasgow 28.Before
During
and After: Documenting Museum Collections in Times of Crisis and Disaster Brian I. Daniels and Corine Wegener
Smithsonian Cultural Rescue Initiative Endnotes Index About the Contributors