Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective.
Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
By María Mercedes Andrade - Contributions by Kelly Austin; Shelley Garrigan; Felipe Martínez-Pinzón; Fernando Pérez; Andrew Reynolds; Javier Uriarte and Olga Vilella
Inhaltsangabe
A Note on Translations List of Illustrations Acknowledgments Introduction by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition: Natural and Military History in the First Museum of Colombia by Felipe Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War and the Rhetoric of Continuity in the Writings of Francisco Moreno by Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual" Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4: "That heteroclite assembly": Collecting, Modernity, and "The Savage Mind" in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs, and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the disposal of the people's struggle": Pablo Neruda as Collector, Translator, and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage: Oswald de Andrade, Augusto de Campos and the Author as Collector by Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka Kressner Index About the Contributors
A Note on Translations List of Illustrations Acknowledgments Introduction by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition: Natural and Military History in the First Museum of Colombia by Felipe Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War and the Rhetoric of Continuity in the Writings of Francisco Moreno by Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual" Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4: "That heteroclite assembly": Collecting, Modernity, and "The Savage Mind" in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs, and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the disposal of the people's struggle": Pablo Neruda as Collector, Translator, and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage: Oswald de Andrade, Augusto de Campos and the Author as Collector by Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka Kressner Index About the Contributors
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