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Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective.
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Collecting from the Margins: Material Culture in a Latin American is the first anthology to provide a sustained discussion of the modern practice of collecting from a specifically Latin American perspective.
Produktdetails
- Produktdetails
- Verlag: Bucknell University Press
- Seitenzahl: 242
- Erscheinungstermin: 29. März 2018
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 399g
- ISBN-13: 9781611487350
- ISBN-10: 1611487358
- Artikelnr.: 51152400
- Verlag: Bucknell University Press
- Seitenzahl: 242
- Erscheinungstermin: 29. März 2018
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 399g
- ISBN-13: 9781611487350
- ISBN-10: 1611487358
- Artikelnr.: 51152400
By María Mercedes Andrade - Contributions by Kelly Austin; Shelley Garrigan; Felipe Martínez-Pinzón; Fernando Pérez; Andrew Reynolds; Javier Uriarte and Olga Vilella
A Note on Translations List of Illustrations Acknowledgments Introduction
by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition:
Natural and Military History in the First Museum of Colombia by Felipe
Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War
and the Rhetoric of Continuity in the Writings of Francisco Moreno by
Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual"
Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la
China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4:
"That heteroclite assembly": Collecting, Modernity, and "The Savage Mind"
in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs,
and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by
Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of
Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the
disposal of the people's struggle": Pablo Neruda as Collector, Translator,
and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage:
Oswald de Andrade, Augusto de Campos and the Author as Collector by
Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to
Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad
by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The
Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka
Kressner Index About the Contributors
by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition:
Natural and Military History in the First Museum of Colombia by Felipe
Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War
and the Rhetoric of Continuity in the Writings of Francisco Moreno by
Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual"
Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la
China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4:
"That heteroclite assembly": Collecting, Modernity, and "The Savage Mind"
in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs,
and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by
Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of
Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the
disposal of the people's struggle": Pablo Neruda as Collector, Translator,
and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage:
Oswald de Andrade, Augusto de Campos and the Author as Collector by
Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to
Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad
by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The
Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka
Kressner Index About the Contributors
A Note on Translations List of Illustrations Acknowledgments Introduction
by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition:
Natural and Military History in the First Museum of Colombia by Felipe
Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War
and the Rhetoric of Continuity in the Writings of Francisco Moreno by
Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual"
Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la
China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4:
"That heteroclite assembly": Collecting, Modernity, and "The Savage Mind"
in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs,
and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by
Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of
Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the
disposal of the people's struggle": Pablo Neruda as Collector, Translator,
and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage:
Oswald de Andrade, Augusto de Campos and the Author as Collector by
Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to
Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad
by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The
Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka
Kressner Index About the Contributors
by María Mercedes Andrade Chapter 1: Sacking the Botanical Expedition:
Natural and Military History in the First Museum of Colombia by Felipe
Martínez-Pinzón Chapter 2: An "Immense Museum" or an "Immense Tomb?" War
and the Rhetoric of Continuity in the Writings of Francisco Moreno by
Javier Uriarte Chapter 3: Of bayaderas, congaïs, and fumerías: "Virtual"
Collecting in De Marsella á Tokio: Sensaciones de Egipto, la India, la
China y el Japón, by Enrique Gómez Carrillo by Olga Vilella Chapter 4:
"That heteroclite assembly": Collecting, Modernity, and "The Savage Mind"
in De sobremesa by María Mercedes Andrade Chapter 5: Postcards, Autographs,
and Modernismo: Rubén Darío on Popular Collecting and Textual Practices by
Andrew Reynolds Chapter 6: Delmira Agustini, Gender, and the Poetics of
Collecting by Shelley Garrigan Chapter 7: "I have put all I possess at the
disposal of the people's struggle": Pablo Neruda as Collector, Translator,
and Poet by Kelly Austin Chapter 8: Antropofagia, Bricolage, Collage:
Oswald de Andrade, Augusto de Campos and the Author as Collector by
Fernando Pérez Villalón Chapter 9: From the Space of the Wunderkammer to
Macondo's Wonder Rooms: The Collection of Marvels in Cien años de soledad
by Jerónimo Arellano Chapter 10:Collecting Revisited (and Left Behind): The
Treasure Chambers in Ruy Guerra's Eréndira and Portugal S.A. by Ilka
Kressner Index About the Contributors