Collections as Relations
Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures
Herausgeber: Dilger, Hansjörg; Poser, Alexis von; Schütze, Stephanie; Koch, Lars-Christian; Göbel, Barbara
Collections as Relations
Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures
Herausgeber: Dilger, Hansjörg; Poser, Alexis von; Schütze, Stephanie; Koch, Lars-Christian; Göbel, Barbara
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This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations.
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This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 276
- Erscheinungstermin: 4. November 2024
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 590g
- ISBN-13: 9781032382555
- ISBN-10: 1032382554
- Artikelnr.: 70941465
- Verlag: Taylor & Francis
- Seitenzahl: 276
- Erscheinungstermin: 4. November 2024
- Englisch
- Abmessung: 234mm x 156mm x 18mm
- Gewicht: 590g
- ISBN-13: 9781032382555
- ISBN-10: 1032382554
- Artikelnr.: 70941465
Hansjörg Dilger is Professor of Social and Cultural Anthropology in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany. Barbara Göbel is Director of the Ibero-Amerikanisches Institut (Stiftung Preusischer Kulturbesitz) and Honorary Professor in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany. Lars-Christian Koch is Director of the Ethnologisches Museum and Museum fur Asiatische Kunst (Stiftung Preusischer Kulturbesitz) and Director of the Staatliche Museen zu Berlin's collections at the Humboldt Forum. He is also Professor of Musicology at Universitat zu Koln and Honorary Professor at Universitat der Kunste Berlin and Humboldt Universitat zu Berlin, Germany. Stephanie Schütze is Professor of Cultural and Social Anthropology in the Institute for Latin American Studies at Freie Universitat Berlin, Germany. Alexis Th. von Poser is Deputy Director of the Ethnologisches Museum and Museum fur Asiatische Kunst (Stiftung Preusischer Kulturbesitz) and Honorary Professor in the Institute of Social and Cultural Anthropology at Freie Universitat Berlin, Germany.
Introduction: Collections as Relations (Hansjörg Dilger, Barbara Göbel,
Lars-Christian Koch, Stephanie Schütze and Alexis von Poser)
PART I: Identities and (Re-)Orientations of Belonging
1. Reorientating Provenance: Identifying Te Arawa M¿ori Works
Cross-institutionally as
a Decolonising Approach to Collections Research (Elizabeth Cory-Pearce)
2. Shared Soundscapes: Everyday Archiving and its Potentials for the
De-mocratization of Anthropological Collections (Ingrid Kummels and Gisela
Cánepa Koch)
3. "No One Had Ever Asked me to Tell the History of White People",
Translation and Enactment in an Artistic Collection on the Colonial
Encounter (Thiago Oliveira da Costa and Andrea Scholz)
4. Materialising Relations? On Objects and Orientations in and out of the
Museum (Magdalena Buchczyk)
PART II: Cultural Heritage and Property Disputes
5. Collections between History, Law and Justice: Reflections on the Debate
about Restitution, Colonial Provenance, and Ownership (Larissa Förster)
6. Colonial Cultural Heritage as Disputed Heritage? The Case of Cameroon
and Germany (Richard Tsogang Fossi)
7. The Collection of the Ayoreode in the BASA Museum as Glocal Space (Carla
Jaimes Betancourt, Karoline Noack and Naomi Rattunde)
8. Towards Democratising the Production of Knowledge: Collaboratively
Researching Sensitive Collections from Namibia (Julia Binter)
PART III: Epistemic Cultures and Knowledge Infrastructures
9. The Afterlives of Gold Artefacts from Southeast Asia (Mai Lin
Tjoa-Bonatz)
10. Challenging the Jacobsen Collections from the American Northwest Coast
and Alaska. A Long
Duree of Multilateral Engagement and Complex Relationships 1881-2021 (Viola
König)
11. Vegetal Entanglements across Collections: Flowers and Medicinal Herbs
in Chinese Art and Material Culture (Juliane Noth)
12. From Index Cards to Digital Catalogues: Incomplete Object Documentation
as Reflection Space (Quoc-Tan Tran)
Afterword (Sharon Macdonald)
Lars-Christian Koch, Stephanie Schütze and Alexis von Poser)
PART I: Identities and (Re-)Orientations of Belonging
1. Reorientating Provenance: Identifying Te Arawa M¿ori Works
Cross-institutionally as
a Decolonising Approach to Collections Research (Elizabeth Cory-Pearce)
2. Shared Soundscapes: Everyday Archiving and its Potentials for the
De-mocratization of Anthropological Collections (Ingrid Kummels and Gisela
Cánepa Koch)
3. "No One Had Ever Asked me to Tell the History of White People",
Translation and Enactment in an Artistic Collection on the Colonial
Encounter (Thiago Oliveira da Costa and Andrea Scholz)
4. Materialising Relations? On Objects and Orientations in and out of the
Museum (Magdalena Buchczyk)
PART II: Cultural Heritage and Property Disputes
5. Collections between History, Law and Justice: Reflections on the Debate
about Restitution, Colonial Provenance, and Ownership (Larissa Förster)
6. Colonial Cultural Heritage as Disputed Heritage? The Case of Cameroon
and Germany (Richard Tsogang Fossi)
7. The Collection of the Ayoreode in the BASA Museum as Glocal Space (Carla
Jaimes Betancourt, Karoline Noack and Naomi Rattunde)
8. Towards Democratising the Production of Knowledge: Collaboratively
Researching Sensitive Collections from Namibia (Julia Binter)
PART III: Epistemic Cultures and Knowledge Infrastructures
9. The Afterlives of Gold Artefacts from Southeast Asia (Mai Lin
Tjoa-Bonatz)
10. Challenging the Jacobsen Collections from the American Northwest Coast
and Alaska. A Long
Duree of Multilateral Engagement and Complex Relationships 1881-2021 (Viola
König)
11. Vegetal Entanglements across Collections: Flowers and Medicinal Herbs
in Chinese Art and Material Culture (Juliane Noth)
12. From Index Cards to Digital Catalogues: Incomplete Object Documentation
as Reflection Space (Quoc-Tan Tran)
Afterword (Sharon Macdonald)
Introduction: Collections as Relations (Hansjörg Dilger, Barbara Göbel,
Lars-Christian Koch, Stephanie Schütze and Alexis von Poser)
PART I: Identities and (Re-)Orientations of Belonging
1. Reorientating Provenance: Identifying Te Arawa M¿ori Works
Cross-institutionally as
a Decolonising Approach to Collections Research (Elizabeth Cory-Pearce)
2. Shared Soundscapes: Everyday Archiving and its Potentials for the
De-mocratization of Anthropological Collections (Ingrid Kummels and Gisela
Cánepa Koch)
3. "No One Had Ever Asked me to Tell the History of White People",
Translation and Enactment in an Artistic Collection on the Colonial
Encounter (Thiago Oliveira da Costa and Andrea Scholz)
4. Materialising Relations? On Objects and Orientations in and out of the
Museum (Magdalena Buchczyk)
PART II: Cultural Heritage and Property Disputes
5. Collections between History, Law and Justice: Reflections on the Debate
about Restitution, Colonial Provenance, and Ownership (Larissa Förster)
6. Colonial Cultural Heritage as Disputed Heritage? The Case of Cameroon
and Germany (Richard Tsogang Fossi)
7. The Collection of the Ayoreode in the BASA Museum as Glocal Space (Carla
Jaimes Betancourt, Karoline Noack and Naomi Rattunde)
8. Towards Democratising the Production of Knowledge: Collaboratively
Researching Sensitive Collections from Namibia (Julia Binter)
PART III: Epistemic Cultures and Knowledge Infrastructures
9. The Afterlives of Gold Artefacts from Southeast Asia (Mai Lin
Tjoa-Bonatz)
10. Challenging the Jacobsen Collections from the American Northwest Coast
and Alaska. A Long
Duree of Multilateral Engagement and Complex Relationships 1881-2021 (Viola
König)
11. Vegetal Entanglements across Collections: Flowers and Medicinal Herbs
in Chinese Art and Material Culture (Juliane Noth)
12. From Index Cards to Digital Catalogues: Incomplete Object Documentation
as Reflection Space (Quoc-Tan Tran)
Afterword (Sharon Macdonald)
Lars-Christian Koch, Stephanie Schütze and Alexis von Poser)
PART I: Identities and (Re-)Orientations of Belonging
1. Reorientating Provenance: Identifying Te Arawa M¿ori Works
Cross-institutionally as
a Decolonising Approach to Collections Research (Elizabeth Cory-Pearce)
2. Shared Soundscapes: Everyday Archiving and its Potentials for the
De-mocratization of Anthropological Collections (Ingrid Kummels and Gisela
Cánepa Koch)
3. "No One Had Ever Asked me to Tell the History of White People",
Translation and Enactment in an Artistic Collection on the Colonial
Encounter (Thiago Oliveira da Costa and Andrea Scholz)
4. Materialising Relations? On Objects and Orientations in and out of the
Museum (Magdalena Buchczyk)
PART II: Cultural Heritage and Property Disputes
5. Collections between History, Law and Justice: Reflections on the Debate
about Restitution, Colonial Provenance, and Ownership (Larissa Förster)
6. Colonial Cultural Heritage as Disputed Heritage? The Case of Cameroon
and Germany (Richard Tsogang Fossi)
7. The Collection of the Ayoreode in the BASA Museum as Glocal Space (Carla
Jaimes Betancourt, Karoline Noack and Naomi Rattunde)
8. Towards Democratising the Production of Knowledge: Collaboratively
Researching Sensitive Collections from Namibia (Julia Binter)
PART III: Epistemic Cultures and Knowledge Infrastructures
9. The Afterlives of Gold Artefacts from Southeast Asia (Mai Lin
Tjoa-Bonatz)
10. Challenging the Jacobsen Collections from the American Northwest Coast
and Alaska. A Long
Duree of Multilateral Engagement and Complex Relationships 1881-2021 (Viola
König)
11. Vegetal Entanglements across Collections: Flowers and Medicinal Herbs
in Chinese Art and Material Culture (Juliane Noth)
12. From Index Cards to Digital Catalogues: Incomplete Object Documentation
as Reflection Space (Quoc-Tan Tran)
Afterword (Sharon Macdonald)