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This volume focuses on how ancient Greek and Roman fascination with works of art, texts, and antiquarian objects gave rise to the production of copies and forgeries. Drawing on a range of examples and up-to-date scholarship on forgery it offers insight into what the ancients found valuable and how they understood their past and the evidence for it.

Produktbeschreibung
This volume focuses on how ancient Greek and Roman fascination with works of art, texts, and antiquarian objects gave rise to the production of copies and forgeries. Drawing on a range of examples and up-to-date scholarship on forgery it offers insight into what the ancients found valuable and how they understood their past and the evidence for it.
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Autorenporträt
Carolyn Higbie is Park Professor of Classics at the University at Buffalo, where she has taught since 1999. She has previously held teaching positions at Harvard University and Southern Illinois University at Carbondale as well as being named a Fellow of the Humanities Institute of the University at Buffalo in 2011-12 and Fellow at the National Center for the Humanities in 2003-04. Her previous publications include The Lindian Chronicle and the Greek Recreation of their Past (OUP, 2003), Heroes' Names, Homeric Identities (Garland, 1995), and Measure and Music: Enjambement and Sentence Structure in the Iliad (OUP, 1990).