Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles…mehr
Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles she chose. Included are forewords written by film historian Joseph Yranski, a friend of the actress, and by Moore's stepdaughter, Judith Hargrave Coleman.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jeff Codori is the creator of the Colleen Moore Project, a website devoted to strengthening the actress's place in cinematic history, and to finding new sources of information about her.
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Table of Contents Forewords by Joseph Yranski and Judith Hargrave Coleman Preface 1. September 1895 2. Port Huron, 1890-1902 3. Port Huron and Hillsdale, Michigan, 1905-1908 4. Atlanta, Georgia, 1908-1911 5. Chicago and Tampa, 1911-1916 6. November, 1916 7. The Bad Boy, December 1916-January 1917 8. April-December, 1917 9. Selig Polyscope, 1918 10. 1919 11. Discovering Comedy 12. "Dry Land; That's All." 13. August 1920 14. November 1920-March 1921 15. April-June 1921 16. Censorship 17. August 1921-December 1921 18. The Bitterness of Sweets (Look Your Best), March-May 1922 19. Forsaking All Others, September-October 1922 20. The Nth Commandment, November-December 1922 21. The Huntress, May-July 1923 22. The Swamp Angel (Painted People), October-November 1923 23. The Perfect Flapper, January-April 1924 24. Sally 25. The Desert Flower, February-April 1925 26. European Tour, April-July 1925 27. First National, Irene 28. Ella Cinders, February 19-April 6, 1926 29. Twinkletoes, July 26-September 15, 1926 30. October 1926-April 1927 31. Break with First National, May-June 1927 32. New York and Arbitration, June-August 1927 33. October-November 1927 34. Oh, Kay!, April-July 1928 35. Colleen and Sound, August-October 1928 36. Why Be Good?, November 1928-January 1929 37. The Bel Air House and a Fairy Castle Filmography Chapter Notes Bibliography Index
Table of Contents Forewords by Joseph Yranski and Judith Hargrave Coleman Preface 1. September 1895 2. Port Huron, 1890-1902 3. Port Huron and Hillsdale, Michigan, 1905-1908 4. Atlanta, Georgia, 1908-1911 5. Chicago and Tampa, 1911-1916 6. November, 1916 7. The Bad Boy, December 1916-January 1917 8. April-December, 1917 9. Selig Polyscope, 1918 10. 1919 11. Discovering Comedy 12. "Dry Land; That's All." 13. August 1920 14. November 1920-March 1921 15. April-June 1921 16. Censorship 17. August 1921-December 1921 18. The Bitterness of Sweets (Look Your Best), March-May 1922 19. Forsaking All Others, September-October 1922 20. The Nth Commandment, November-December 1922 21. The Huntress, May-July 1923 22. The Swamp Angel (Painted People), October-November 1923 23. The Perfect Flapper, January-April 1924 24. Sally 25. The Desert Flower, February-April 1925 26. European Tour, April-July 1925 27. First National, Irene 28. Ella Cinders, February 19-April 6, 1926 29. Twinkletoes, July 26-September 15, 1926 30. October 1926-April 1927 31. Break with First National, May-June 1927 32. New York and Arbitration, June-August 1927 33. October-November 1927 34. Oh, Kay!, April-July 1928 35. Colleen and Sound, August-October 1928 36. Why Be Good?, November 1928-January 1929 37. The Bel Air House and a Fairy Castle Filmography Chapter Notes Bibliography Index
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