"Color Management & Quality Output tackles the most prominent problem of making a print--accurately and consistently reproducing the photographer's vision. Color management expert Tom Ashe provides in-depth, professional knowledge and thorough instructions that will enable you to create files that are color managed from input to output, properly sharpen files for a wide selection of media substrates, work with a variety of color management systems and equipment, use Photoshop for soft proofing, and experiment with a wide variety of papers and output options. This guide shows you how to achieve…mehr
"Color Management & Quality Output tackles the most prominent problem of making a print--accurately and consistently reproducing the photographer's vision. Color management expert Tom Ashe provides in-depth, professional knowledge and thorough instructions that will enable you to create files that are color managed from input to output, properly sharpen files for a wide selection of media substrates, work with a variety of color management systems and equipment, use Photoshop for soft proofing, and experiment with a wide variety of papers and output options. This guide shows you how to achieve predictable and repeatable results for making optimal prints! As part of The Digital Imaging Masters Series, this book gives you the most cutting-edge information from the most sought-after and qualified professionals and instructors in the field. Based upon the progressive curriculum of the Masters of Professional Studies in Digital Photography at the School of Visual Arts in New York City--created by the Photoshop"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tom P. Ashe, the Associate Chair of the Masters of Professional Studies in Digital Photography at the School of Visual Arts in New York City, is an internationally recognized educator and consultant in digital photography and color management. He received his Bachelor of Science in Photography from the Rochester Institute of Technology in Rochester, NY, and his Masters of Applied Science in Photography from RMIT University (formerly Royal Melbourne Institute of Technology) in Melbourne, Australia. Tom's background as a photographer, fine art digital printmaker, and product development specialist for Eastman Kodak, Monaco Systems, and Polaroid, gives him a unique understanding of the aesthetic and technical issues in digital photography today. Series Editor Katrin Eismann is the Chair of the Masters of Professional Studies in Digital Photography at the School of Visual Arts in New York City. Known as the Photoshop Diva, Katrin is an internationally respected artist, teacher, and author. She specializes in creative digital photography and the impact of emerging technologies upon professional photographers, artists, and educators.
Inhaltsangabe
SECTION 1: COLOR and COLOR MANAGEMENT CHAPTER 1: COLOR and COLOR VISION CHAPTER 2: COLOR MEASUREMENT, REPRODUCTION, and MANAGEMENT CHAPTER 3: EVALUATING IMAGE QUALITY, PRINT QUALITY, and TEST PAGES CHAPTER 4: DISPLAY ENVIRONMENTS, TECHNOLOGIES, CALIBRATION, and PROFILING CHAPTER 5: INPUT PROFILING: SCANNERS and DIGITAL CAMERAS CHAPTER 6: COLOR IN PHOTOSHOP and LIGHTROOM CHAPTER 7: BASIC COLOR CORRECTION and IMAGE RENDERING CHAPTER 8: OUTPUT PROFILING and SOFT PROOFING CHAPTER 9: OUTPUT PROFILE OPTIMIZATION and EDITING CHAPTER 10: COLOR UTILITIES and TROUBLESHOOTING CHAPTER 11: RASTER IMAGE PROCESSORS SECTION 2: DIGITAL PRINTMAKING and OUTPUT CHAPTER 12: DIGITAL OUTPUT TECHNOLOGIES and PRINT LABELING CHAPTER 13: INKJET PRINTING CHAPTER 14: BLACK-AND-WHITE DIGITAL PRINTMAKING CHAPTER 15: RESIZING and SHARPENING CHAPTER 16: COLLABORATION WITH PRINTMAKERS and SERVICE BUREAUS CHAPTER 17: CMYK OUTPUT: PRINTING PRESSES and SHORT RUN PHOTO BOOKS CHAPTER 18: COLOR MANAGING ADOBE INDESIGN, ILLUSTRATOR, and PDFS CHAPTER 19: PREPARING FILES FOR THE WEB and TABLETS CHAPTER 20: DIGITAL PRINT PERMANENCE and LONGEVITY CHAPTER 21: PRINT FINISHING, EDITIONS, and DOCUMENTATION
SECTION 1: COLOR and COLOR MANAGEMENT CHAPTER 1: COLOR and COLOR VISION CHAPTER 2: COLOR MEASUREMENT, REPRODUCTION, and MANAGEMENT CHAPTER 3: EVALUATING IMAGE QUALITY, PRINT QUALITY, and TEST PAGES CHAPTER 4: DISPLAY ENVIRONMENTS, TECHNOLOGIES, CALIBRATION, and PROFILING CHAPTER 5: INPUT PROFILING: SCANNERS and DIGITAL CAMERAS CHAPTER 6: COLOR IN PHOTOSHOP and LIGHTROOM CHAPTER 7: BASIC COLOR CORRECTION and IMAGE RENDERING CHAPTER 8: OUTPUT PROFILING and SOFT PROOFING CHAPTER 9: OUTPUT PROFILE OPTIMIZATION and EDITING CHAPTER 10: COLOR UTILITIES and TROUBLESHOOTING CHAPTER 11: RASTER IMAGE PROCESSORS SECTION 2: DIGITAL PRINTMAKING and OUTPUT CHAPTER 12: DIGITAL OUTPUT TECHNOLOGIES and PRINT LABELING CHAPTER 13: INKJET PRINTING CHAPTER 14: BLACK-AND-WHITE DIGITAL PRINTMAKING CHAPTER 15: RESIZING and SHARPENING CHAPTER 16: COLLABORATION WITH PRINTMAKERS and SERVICE BUREAUS CHAPTER 17: CMYK OUTPUT: PRINTING PRESSES and SHORT RUN PHOTO BOOKS CHAPTER 18: COLOR MANAGING ADOBE INDESIGN, ILLUSTRATOR, and PDFS CHAPTER 19: PREPARING FILES FOR THE WEB and TABLETS CHAPTER 20: DIGITAL PRINT PERMANENCE and LONGEVITY CHAPTER 21: PRINT FINISHING, EDITIONS, and DOCUMENTATION
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