This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.
This collection of fourteen original essays explores both the production history of colorblind casting in cultural terms and the theoretical implications of this practice for reading Shakespeare in a contemporary context.
Ayanna Thompson is Assistant Professor of English and Women's Studies at Arizona State University.
Inhaltsangabe
Foreword. Section 1: The Semiotics of (Not) Viewing Race Section 2: Practicing Colorblindness: The Players Speak Section 3: Future Possibilities/Future DirectionS Afterword: The Blind Side in Colorblind Casting. Notes on Contributors. Index
Foreword. Section 1: The Semiotics of (Not) Viewing Race Section 2: Practicing Colorblindness: The Players Speak Section 3: Future Possibilities/Future DirectionS Afterword: The Blind Side in Colorblind Casting. Notes on Contributors. Index
Foreword. Section 1: The Semiotics of (Not) Viewing Race Section 2: Practicing Colorblindness: The Players Speak Section 3: Future Possibilities/Future DirectionS Afterword: The Blind Side in Colorblind Casting. Notes on Contributors. Index
Foreword. Section 1: The Semiotics of (Not) Viewing Race Section 2: Practicing Colorblindness: The Players Speak Section 3: Future Possibilities/Future DirectionS Afterword: The Blind Side in Colorblind Casting. Notes on Contributors. Index
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