Colors of Film is an introduction to film through the lens of color. Taking you from the 1940s to today, it showcases the most extraordinary use of color and provides visually appealing palettes of some of the best movies ever made.
Colors of Film is an introduction to film through the lens of color. Taking you from the 1940s to today, it showcases the most extraordinary use of color and provides visually appealing palettes of some of the best movies ever made. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Charles Bramesco is a film and television critic living in Brooklyn. In addition to the Guardian, his work has also appeared in Rolling Stone, Little White Lies, Vanity Fair, Newsweek, Forbes, Nylon, Vulture, Frieze, The A.V. Club, Indiewire, The Dissolve, Vox, and Pitchfork. He is the author of Vampire Movies (Little White Lies for William Collins, 2019).
Inhaltsangabe
Introduction 1 OVER THE RAINBOW Post-facto Colorization A Trip to the Moon, Méliès Intolerance, Griffith The Wizard of Oz, Fleming Fantasia, Disney Black Narcissus, Powell & Pressburger The River, Renoir Singin’ in the Rain, Donen & Kelly All That Heaven Allows, Sirk The Searchers, Ford Vertigo, Hitchcock Lawrence of Arabia, Lean 2 UNBOUND IMAGINATIONS Kodak and Fujifilm The Umbrellas of Cherbourg, Demy Red Desert, Antonioni Color Me Blood Red, Lewis 2001: A Space Odyssey, Kubrick Cries and Whispers, Bergman Touki Bouki, Mambéty Bobby, Kapoor Don’t Look Now, Roeg Ali: Fear Eats the Soul, Fassbinder Jeanne Dielman …, Akerman God Told Me To, Cohen Suspiria, Argento Ran, Kurosawa 3 MAKING A STATEMENT Color Theory Blue Velvet, Lynch Dick Tracy, Beatty Blue, Jarman Schindler’s List, Spielberg Three Colors trilogy, Kieślowski Chungking Express, Wong Seven, Fincher Belly, Williams Peppermint Candy, Lee The Virgin Suicides, Coppola But I’m a Cheerleader, Babbit Songs from the Second Floor, Andersson Traffic, Soderbergh Amélie, Jeunet Spirited Away, Miyazaki 4 DIGITAL WONDERLANDS The Color TV The Aviator, Scorsese Saw II, Bousman Speed Racer, Wachowski & Wachowski Enter the Void, Noé Amer, Cattet & Forzani Tron: Legacy, Kosinski The Grand Budapest Hotel, Anderson Mad Max: Fury Road, Miller La La Land, Chazelle Black Panther, Coogler Lovers Rock, McQueen Further Reading Picture Credits & Acknowledgments Index
Introduction 1 OVER THE RAINBOW Post-facto Colorization A Trip to the Moon, Méliès Intolerance, Griffith The Wizard of Oz, Fleming Fantasia, Disney Black Narcissus, Powell & Pressburger The River, Renoir Singin’ in the Rain, Donen & Kelly All That Heaven Allows, Sirk The Searchers, Ford Vertigo, Hitchcock Lawrence of Arabia, Lean 2 UNBOUND IMAGINATIONS Kodak and Fujifilm The Umbrellas of Cherbourg, Demy Red Desert, Antonioni Color Me Blood Red, Lewis 2001: A Space Odyssey, Kubrick Cries and Whispers, Bergman Touki Bouki, Mambéty Bobby, Kapoor Don’t Look Now, Roeg Ali: Fear Eats the Soul, Fassbinder Jeanne Dielman …, Akerman God Told Me To, Cohen Suspiria, Argento Ran, Kurosawa 3 MAKING A STATEMENT Color Theory Blue Velvet, Lynch Dick Tracy, Beatty Blue, Jarman Schindler’s List, Spielberg Three Colors trilogy, Kieślowski Chungking Express, Wong Seven, Fincher Belly, Williams Peppermint Candy, Lee The Virgin Suicides, Coppola But I’m a Cheerleader, Babbit Songs from the Second Floor, Andersson Traffic, Soderbergh Amélie, Jeunet Spirited Away, Miyazaki 4 DIGITAL WONDERLANDS The Color TV The Aviator, Scorsese Saw II, Bousman Speed Racer, Wachowski & Wachowski Enter the Void, Noé Amer, Cattet & Forzani Tron: Legacy, Kosinski The Grand Budapest Hotel, Anderson Mad Max: Fury Road, Miller La La Land, Chazelle Black Panther, Coogler Lovers Rock, McQueen Further Reading Picture Credits & Acknowledgments Index
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