The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way in which the artistâ s oeuvre has previously been understood. -- .
The first monographic study of the painter Agostino Brunias, this book offers a compelling, original analysis of his representation of race in the British colonial West Indies, reconsidering the way in which the artistâ s oeuvre has previously been understood. -- .
Mia L. Bagneris is Associate Professor of Africana Studies and Art History and Director of the Africana Studies Program at Tulane University.
Inhaltsangabe
Introduction 1 Brunias's tarred brush, or painting Indians black: race ing the Carib divide 2 Merry and contented slaves and other island myths: representing Africans and Afro Creoles in the Anglo American world 3 Brown skinned booty, or colonising Diana: mixed race Venuses and Vixens as the fruits of imperial enterprise 4 Can you find the white woman in this picture? Agostino Brunias's 'ladies' of ambiguous race Coda Pushing Brunias's buttons, or re branding the plantocracy's painter: the afterlife of Brunias's imagery Index
Introduction 1 Brunias's tarred brush, or painting Indians black: race ing the Carib divide 2 Merry and contented slaves and other island myths: representing Africans and Afro Creoles in the Anglo American world 3 Brown skinned booty, or colonising Diana: mixed race Venuses and Vixens as the fruits of imperial enterprise 4 Can you find the white woman in this picture? Agostino Brunias's 'ladies' of ambiguous race Coda Pushing Brunias's buttons, or re branding the plantocracy's painter: the afterlife of Brunias's imagery Index
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