Comic Art and Feminism in the Baltic Sea Region
Transnational Perspectives
Herausgeber: Beers Fägersten, Kristy; Wallin Wictorin, Margareta; Romu, Leena; Nordenstam, Anna
Comic Art and Feminism in the Baltic Sea Region
Transnational Perspectives
Herausgeber: Beers Fägersten, Kristy; Wallin Wictorin, Margareta; Romu, Leena; Nordenstam, Anna
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This edited collection explores how the relationship between comic art and feminism has been shaped by global, transnational, and local trends, curating analyses of multinational comic art that encompasses themes of gender, sexuality, power, vulnerability, assault, abuse, taboo, and trauma.
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This edited collection explores how the relationship between comic art and feminism has been shaped by global, transnational, and local trends, curating analyses of multinational comic art that encompasses themes of gender, sexuality, power, vulnerability, assault, abuse, taboo, and trauma.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 256
- Erscheinungstermin: 1. Juli 2021
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 558g
- ISBN-13: 9780367483333
- ISBN-10: 0367483335
- Artikelnr.: 69984517
- Verlag: Routledge
- Seitenzahl: 256
- Erscheinungstermin: 1. Juli 2021
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 558g
- ISBN-13: 9780367483333
- ISBN-10: 0367483335
- Artikelnr.: 69984517
Kristy Beers Fägersten is Professor of English Linguistics at Södertörn University. Anna Nordenstam is Professor of Comparative Literature at the University of Gothenburg. Leena Romu is a post-doctoral researcher at Tampere University. Margareta Wallin Wictorin is Senior Lecturer in Cultural Studies at Karlstad University.
1 Feminist Comics: An Expanding Field; Part I: Swedish feminist comics
artists; 2 Swedish Feminist Comics and Cartoons at the Turn of the
Millennium: Joanna Rubin Dranger and Åsa Grennvall (Schagerström); 3 A
Woman's Place (in the panel): Positioning and Framing in Comics by Nina
Hemmingsson and Lotta Sjöberg; Part II: Gender, sex, and sexuality in
German-language comics; 4 A Brief History of Girlsplaining? Reading
Klengel, Patu, and Schrupp with Strömquist. Or: Reflecting Visualities of
Gender and Feminism in German-Language Comics; 5 "What's in a name?": Anke
Feuchtenberger's Roses and the Mythic Methodologies of her Feminist Comic
Art; 6 For Sex-Positivity? Potential and limits of representating Sex and
Sexuality in Ulli Lust's Comics Across Genres; Part III: Non-binary and
queer expression in comics; 7 Strategies of Ambiguity: Non-Binary
Figurations in German-Language Comics; 8 Feminist and Queer Aesthetics in
Tove Jansson's Moomin Comics; Part IV: Addressing violence in Finnish
comics; 9 Feminist Education and Empowerment: The Individual and the
Collective in Emmi Nieminen and Johanna Vehkoo's Comic on Online Violence;
10 The Narrative Complexity of Showing and Telling Sexual Harassment and
Violence in Kati Kovács's Comics; Part V: Memoir and remembering in Polish
and Russian comics; 11 "After all, we must be our own heroines": The Power
of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir
Totalnie Nie Nostalgia: Memuar; 12 Staring Back at History: Varvara Pomidor
and Russian Comics
artists; 2 Swedish Feminist Comics and Cartoons at the Turn of the
Millennium: Joanna Rubin Dranger and Åsa Grennvall (Schagerström); 3 A
Woman's Place (in the panel): Positioning and Framing in Comics by Nina
Hemmingsson and Lotta Sjöberg; Part II: Gender, sex, and sexuality in
German-language comics; 4 A Brief History of Girlsplaining? Reading
Klengel, Patu, and Schrupp with Strömquist. Or: Reflecting Visualities of
Gender and Feminism in German-Language Comics; 5 "What's in a name?": Anke
Feuchtenberger's Roses and the Mythic Methodologies of her Feminist Comic
Art; 6 For Sex-Positivity? Potential and limits of representating Sex and
Sexuality in Ulli Lust's Comics Across Genres; Part III: Non-binary and
queer expression in comics; 7 Strategies of Ambiguity: Non-Binary
Figurations in German-Language Comics; 8 Feminist and Queer Aesthetics in
Tove Jansson's Moomin Comics; Part IV: Addressing violence in Finnish
comics; 9 Feminist Education and Empowerment: The Individual and the
Collective in Emmi Nieminen and Johanna Vehkoo's Comic on Online Violence;
10 The Narrative Complexity of Showing and Telling Sexual Harassment and
Violence in Kati Kovács's Comics; Part V: Memoir and remembering in Polish
and Russian comics; 11 "After all, we must be our own heroines": The Power
of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir
Totalnie Nie Nostalgia: Memuar; 12 Staring Back at History: Varvara Pomidor
and Russian Comics
1 Feminist Comics: An Expanding Field; Part I: Swedish feminist comics
artists; 2 Swedish Feminist Comics and Cartoons at the Turn of the
Millennium: Joanna Rubin Dranger and Åsa Grennvall (Schagerström); 3 A
Woman's Place (in the panel): Positioning and Framing in Comics by Nina
Hemmingsson and Lotta Sjöberg; Part II: Gender, sex, and sexuality in
German-language comics; 4 A Brief History of Girlsplaining? Reading
Klengel, Patu, and Schrupp with Strömquist. Or: Reflecting Visualities of
Gender and Feminism in German-Language Comics; 5 "What's in a name?": Anke
Feuchtenberger's Roses and the Mythic Methodologies of her Feminist Comic
Art; 6 For Sex-Positivity? Potential and limits of representating Sex and
Sexuality in Ulli Lust's Comics Across Genres; Part III: Non-binary and
queer expression in comics; 7 Strategies of Ambiguity: Non-Binary
Figurations in German-Language Comics; 8 Feminist and Queer Aesthetics in
Tove Jansson's Moomin Comics; Part IV: Addressing violence in Finnish
comics; 9 Feminist Education and Empowerment: The Individual and the
Collective in Emmi Nieminen and Johanna Vehkoo's Comic on Online Violence;
10 The Narrative Complexity of Showing and Telling Sexual Harassment and
Violence in Kati Kovács's Comics; Part V: Memoir and remembering in Polish
and Russian comics; 11 "After all, we must be our own heroines": The Power
of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir
Totalnie Nie Nostalgia: Memuar; 12 Staring Back at History: Varvara Pomidor
and Russian Comics
artists; 2 Swedish Feminist Comics and Cartoons at the Turn of the
Millennium: Joanna Rubin Dranger and Åsa Grennvall (Schagerström); 3 A
Woman's Place (in the panel): Positioning and Framing in Comics by Nina
Hemmingsson and Lotta Sjöberg; Part II: Gender, sex, and sexuality in
German-language comics; 4 A Brief History of Girlsplaining? Reading
Klengel, Patu, and Schrupp with Strömquist. Or: Reflecting Visualities of
Gender and Feminism in German-Language Comics; 5 "What's in a name?": Anke
Feuchtenberger's Roses and the Mythic Methodologies of her Feminist Comic
Art; 6 For Sex-Positivity? Potential and limits of representating Sex and
Sexuality in Ulli Lust's Comics Across Genres; Part III: Non-binary and
queer expression in comics; 7 Strategies of Ambiguity: Non-Binary
Figurations in German-Language Comics; 8 Feminist and Queer Aesthetics in
Tove Jansson's Moomin Comics; Part IV: Addressing violence in Finnish
comics; 9 Feminist Education and Empowerment: The Individual and the
Collective in Emmi Nieminen and Johanna Vehkoo's Comic on Online Violence;
10 The Narrative Complexity of Showing and Telling Sexual Harassment and
Violence in Kati Kovács's Comics; Part V: Memoir and remembering in Polish
and Russian comics; 11 "After all, we must be our own heroines": The Power
of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir
Totalnie Nie Nostalgia: Memuar; 12 Staring Back at History: Varvara Pomidor
and Russian Comics