Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
Dru Jeffries teaches comics studies at Wilfrid Laurier University and has taught film at Concordia University and the University of Toronto. He has published scholarship on film and comic books in Porn Studies, Quarterly Review of Film and Video, Cinephile, and several edited volumes.
Inhaltsangabe
* Acknowledgments * Introduction * Chapter 1. The Six Modes of Interaction between Comics and Film * Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions * Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame * Chapter 4. The Privileged Instant: Remediating Stasis as Movement * Chapter 5. The Polymedial Comic Book Film * Conclusion * Notes * Bibliography * Index
* Acknowledgments * Introduction * Chapter 1. The Six Modes of Interaction between Comics and Film * Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions * Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame * Chapter 4. The Privileged Instant: Remediating Stasis as Movement * Chapter 5. The Polymedial Comic Book Film * Conclusion * Notes * Bibliography * Index
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