This engaging collection explores the multi-media intersections of comics, film, television, and popular culture over the last century, ranging from Felix the Cat to Black Panther.
This engaging collection explores the multi-media intersections of comics, film, television, and popular culture over the last century, ranging from Felix the Cat to Black Panther.
Barry Keith Grant is an emeritus professor of film studies and popular culture, is the author or editor of many books on film and popular culture, including Film Genre Reader. Scott Henderson Dean and Head of Trent University Durham GTA, is coeditor of Canadian Television: Text and Context.
Inhaltsangabe
1. Acknowledgments 2. Introduction (Barry Keith Grant and Scott Henderson) 3. Part One. Issues and Debates * The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman) * From Adaptation to Extension: A History of Comics Adapting Films, 1976–2015 (Blair Davis) * Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke) * Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma) * Genre and Superhero Cinema (Aaron Taylor) * Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent) * Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo) * “We Roller Coaster Through . . .”: Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter) * Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint) 4. Part Two. Panels and Frames * Felix in—and out of—Space (J. P. Telotte) * A Comic Book Life/Style: World Building in American Splendor (Matt Yockey) * The Extraordinary Career of Modesty Blaise (James Chapman) * Authenticity and Judge Dredd on Film (J. Mark Percival) * CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor) * Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner) * Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead (Aviva Briefel) * Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson) * Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown) 5. Contributors 6. Index
1. Acknowledgments 2. Introduction (Barry Keith Grant and Scott Henderson) 3. Part One. Issues and Debates * The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman) * From Adaptation to Extension: A History of Comics Adapting Films, 1976–2015 (Blair Davis) * Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke) * Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma) * Genre and Superhero Cinema (Aaron Taylor) * Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent) * Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo) * “We Roller Coaster Through . . .”: Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter) * Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint) 4. Part Two. Panels and Frames * Felix in—and out of—Space (J. P. Telotte) * A Comic Book Life/Style: World Building in American Splendor (Matt Yockey) * The Extraordinary Career of Modesty Blaise (James Chapman) * Authenticity and Judge Dredd on Film (J. Mark Percival) * CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor) * Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner) * Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead (Aviva Briefel) * Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson) * Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown) 5. Contributors 6. Index
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