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In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork's uncanny yet historically determinate character.

Produktbeschreibung
In her study of Aref El-Rayess's The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artwork's uncanny yet historically determinate character.
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Autorenporträt
Natasha Gasparian is an art historian and critic. She has collaborated on writing, research, and curatorial projects with numerous institutions in Beirut, Lebanon, including Agial, Saleh Barakat Gallery, Beirut Art Center, and the Saradar Collection.