In this highly influential study of art forms as models for a theory of communications, Hugh Dalziel Duncan demonstrates that without understanding of the role of symbols in society, social scientists cannot hope to develop adequate models for social analysis.
In this highly influential study of art forms as models for a theory of communications, Hugh Dalziel Duncan demonstrates that without understanding of the role of symbols in society, social scientists cannot hope to develop adequate models for social analysis.
One: Symbolic Contexts of Social Experience in Freud, Simmel, and Malinowski 1: Symbolic Interaction in Freud's Work 2: Georg Simmel's Search for an Autonomous Form of Sociability 3: Malinowski's Theory of the Social Context of Magical Language Two: The Self and Society as Determined by Communication in James, Dewey, and Mead 4: Society As Determined by Communication 5: Communication and the Emergence of the Self in the Work of George Herbert Mead 6: The Final Phase of the Act 7: The Problem of Form in Mead's Theory of the Significant Symbol Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships 8: Burke's Dramatistic View of Society 9: Social Order Considered as a Drama of Redemption Through Victimage Four: Burke's Sociology of Language 10: The Structure and Function of the Act in the Work of Kenneth Burke 11: A Rhetoric of Motives 12: The Rhetoric of Social Order Five: Social Mystification in Communication Between Classes 13: Toward a New Rhetoric 14: Social Mystification and Social Integration 15: Reason and Hierarchal Disorganization 16: The Rhetoric of Ruling 17: Rhetoric as an Instrument of Domination Through Unreason 18: Social Order Based on Unreason Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy 19: Social Order as a Form of Hierarchy 20: The Communication of Hierarchy 21: Hierarchal Address 22: A Sociological View of "Inner" Audiences Seven: Hierarchal Transcendence and Social Bonds 23: Social Transcendence 24: Equality and Social Order 25: The Establishment of Money as a Symbol of Community Life 26: Money as a Form of Transcendence in American Life Eight: The Social Function of Art in Society 27: Comedy and Social Integration 28: The Comic Scapegoat 29: Comedy as the Rhetoric of Reason in Society 30: Tragic and Comic Sexual Themes Compared Nine: By Way of Conclusion 31: A Sociological Model of Social Interaction as Determined by Communication
One: Symbolic Contexts of Social Experience in Freud, Simmel, and Malinowski 1: Symbolic Interaction in Freud's Work 2: Georg Simmel's Search for an Autonomous Form of Sociability 3: Malinowski's Theory of the Social Context of Magical Language Two: The Self and Society as Determined by Communication in James, Dewey, and Mead 4: Society As Determined by Communication 5: Communication and the Emergence of the Self in the Work of George Herbert Mead 6: The Final Phase of the Act 7: The Problem of Form in Mead's Theory of the Significant Symbol Three: The Function of Symbols in Society: an Application of Burke's Dramatistic View of Social Relationships 8: Burke's Dramatistic View of Society 9: Social Order Considered as a Drama of Redemption Through Victimage Four: Burke's Sociology of Language 10: The Structure and Function of the Act in the Work of Kenneth Burke 11: A Rhetoric of Motives 12: The Rhetoric of Social Order Five: Social Mystification in Communication Between Classes 13: Toward a New Rhetoric 14: Social Mystification and Social Integration 15: Reason and Hierarchal Disorganization 16: The Rhetoric of Ruling 17: Rhetoric as an Instrument of Domination Through Unreason 18: Social Order Based on Unreason Six: A Sociological Model of Social Order as Determined by the Communication of Hierarchy 19: Social Order as a Form of Hierarchy 20: The Communication of Hierarchy 21: Hierarchal Address 22: A Sociological View of "Inner" Audiences Seven: Hierarchal Transcendence and Social Bonds 23: Social Transcendence 24: Equality and Social Order 25: The Establishment of Money as a Symbol of Community Life 26: Money as a Form of Transcendence in American Life Eight: The Social Function of Art in Society 27: Comedy and Social Integration 28: The Comic Scapegoat 29: Comedy as the Rhetoric of Reason in Society 30: Tragic and Comic Sexual Themes Compared Nine: By Way of Conclusion 31: A Sociological Model of Social Interaction as Determined by Communication
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