Arnold Krupat is a professor emeritus of global studies and literature at Sarah Lawrence College. He is the author of numerous books, including "That the People Might Live": Loss and Renewal in Native American Elegy; All That Remains: Varieties of Indigenous Expression (Nebraska, 2009); and The Turn to the Native: Studies in Criticism and Culture (Nebraska, 1996).
Arnold Krupat is a professor emeritus of global studies and literature at Sarah Lawrence College. He is the author of numerous books, including "That the People Might Live": Loss and Renewal in Native American Elegy; All That Remains: Varieties of Indigenous Expression (Nebraska, 2009); and The Turn to the Native: Studies in Criticism and Culture (Nebraska, 1996).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations Introduction Hearing, Reading, and Remembering James Welch (1940–2003) Kathryn W. Shanley Interview Owen Perkins Interview Cindy Heidemann Interview From James Welch’s The Marseille Grace On Researching Marseille Grace/Heartsong, 1994–96 Lois M. Welch Welch Relations: Uncovering the History, Recovering the Story John Purdy Reprinted Essays “A World Away from His People”: James Welch’s The Heartsong of Charging Elk and the Indian Historical Novel James J. Donahue Ghost Dance Literature: Spectrality in Heartsong Ulla Haselstein Tribal or Transnational? Memory, History, and Identity in Heartsong Hans Bak Original Essays The Unexpected Indian in Heartsong Amanda Cobb-Greetham “Looking for the Way Back”: Displacement, Diaspora, and Desire in Heartsong Kathryn W. Shanley Issues of Identity Arnold Krupat The Fatal Blow Job Craig Womack History, Language, and Culture in Heartsong Arnold Krupat Native Presence and Survivance in Heartsong James Ruppert Contributors
List of Illustrations Introduction Hearing, Reading, and Remembering James Welch (1940–2003) Kathryn W. Shanley Interview Owen Perkins Interview Cindy Heidemann Interview From James Welch’s The Marseille Grace On Researching Marseille Grace/Heartsong, 1994–96 Lois M. Welch Welch Relations: Uncovering the History, Recovering the Story John Purdy Reprinted Essays “A World Away from His People”: James Welch’s The Heartsong of Charging Elk and the Indian Historical Novel James J. Donahue Ghost Dance Literature: Spectrality in Heartsong Ulla Haselstein Tribal or Transnational? Memory, History, and Identity in Heartsong Hans Bak Original Essays The Unexpected Indian in Heartsong Amanda Cobb-Greetham “Looking for the Way Back”: Displacement, Diaspora, and Desire in Heartsong Kathryn W. Shanley Issues of Identity Arnold Krupat The Fatal Blow Job Craig Womack History, Language, and Culture in Heartsong Arnold Krupat Native Presence and Survivance in Heartsong James Ruppert Contributors
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