Comparative Postcolonialism in the Works of V.S. Naipaul and Toni Morrison: Fragmented Identities places comparative literature in a postcolonial context in order to widen its traditional scope and thereby pay greater attention to the relationship between indigenous and hegemonic cultures.
Comparative Postcolonialism in the Works of V.S. Naipaul and Toni Morrison: Fragmented Identities places comparative literature in a postcolonial context in order to widen its traditional scope and thereby pay greater attention to the relationship between indigenous and hegemonic cultures.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements Introduction Chapter One: Postcolonial Literature and Comparative Literature Chapter Two: Mimicry and Fragmented Identities in V.S. Naipaul's The Mimic Men and Toni Morrison's The Bluest Eye Chapter Three: Memory as a Reflection of Cultural Identity in V.S. Naipaul's The Enigma of Arrival and Toni Morrison's Beloved Chapter Four: A Journey from Unhomeliness to Hybridity in V.S. Naipaul's Half a Life and Magic Seeds and Toni Morrison's Home Chapter Five: Gender in Naipaul and Morrison Chapter Six: Naipaul and Morrison: Some Conclusions and New Comparative Outlooks Bibliography About the Author
Acknowledgements Introduction Chapter One: Postcolonial Literature and Comparative Literature Chapter Two: Mimicry and Fragmented Identities in V.S. Naipaul's The Mimic Men and Toni Morrison's The Bluest Eye Chapter Three: Memory as a Reflection of Cultural Identity in V.S. Naipaul's The Enigma of Arrival and Toni Morrison's Beloved Chapter Four: A Journey from Unhomeliness to Hybridity in V.S. Naipaul's Half a Life and Magic Seeds and Toni Morrison's Home Chapter Five: Gender in Naipaul and Morrison Chapter Six: Naipaul and Morrison: Some Conclusions and New Comparative Outlooks Bibliography About the Author
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