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Comparing Grief in French, British and Canadian Great War Fiction (1977-2014) offers a comparative analysis of twenty-three First World War novels. Engaging with such themes as war trauma, facial disfigurement, women's war identities, communal bonds, as well as the concepts of mourning and post-memory, Anna Branach-Kallas and Piotr Sadkowski identify the dominant trends in recent French, British and Canadian fiction about the Great War. Referring to historical, sociological, philosophical and literary sources, they show how, by both consolidating and contesting national myths, fiction…mehr

Produktbeschreibung
Comparing Grief in French, British and Canadian Great War Fiction (1977-2014) offers a comparative analysis of twenty-three First World War novels. Engaging with such themes as war trauma, facial disfigurement, women's war identities, communal bonds, as well as the concepts of mourning and post-memory, Anna Branach-Kallas and Piotr Sadkowski identify the dominant trends in recent French, British and Canadian fiction about the Great War. Referring to historical, sociological, philosophical and literary sources, they show how, by both consolidating and contesting national myths, fiction continues to construct the 1914-1918 conflict as a cultural trauma, illuminating at the same time some of our most recent ethical concerns.

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Autorenporträt
Anna Branach-Kallas, Ph.D., D. Litt., is Associate Professor at Nicolaus Copernicus University in Toruń, Poland. She has published monographs and over seventy articles on corporeality, diaspora, trauma and war, as well as postcolonial and comparative literature in English and French. Piotr Sadkowski, Ph.D., D. Litt., is Associate Professor at Nicolaus Copernicus University in Toruń, Poland. He has published a monograph and many articles on such topics as war, myth, migration, intertextuality and post-memory in francophone literatures.
Rezensionen
"Significantly, in contrast to the prevailing analytical framework, Branach-Kallas and Sadkowski do not focus on literary representations of combat and front life, but on texts that depict the long-lasting aftermath of the war in order to investigate the psychological and social effects of the conflict and to inquire into why the war refuses to be buried in the past. Comparing Grief explores the "changed reality" after the Great War and analyses the cultural trauma produced by the war in France, Canada, and Britain, focusing on shell-shock and the ensuing disintegration of individual identity and communal bonds. "
- , Katarzyna Wieckowska, in Anglica: An International Journal of English Studies , Vol. 27.3 (2018), pp. 249-255