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This is the complete and authoritative edition of the folk and fairy tales of the brothers Grimm, with 212 tales, and including the tale of The Starving Children (which was removed after the 1819 edition). THE FOLK & FAIRY TALES OF THE BROTHERS GRIMM (German: Kinder- und Hausmarchen - Vollstamdige Ausgabe) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in English as Grimm's Fairy Tales. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to…mehr

Produktbeschreibung
This is the complete and authoritative edition of the folk and fairy tales of the brothers Grimm, with 212 tales, and including the tale of The Starving Children (which was removed after the 1819 edition). THE FOLK & FAIRY TALES OF THE BROTHERS GRIMM (German: Kinder- und Hausmarchen - Vollstamdige Ausgabe) is a collection of German fairy tales first published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known in English as Grimm's Fairy Tales. The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjornsen and Jorgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales. There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, "What Perrault began, the Grimms completed.""
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Autorenporträt
Wilhelm Carl Grimm (1786 - 1859) was a German author, the younger of the Brothers Grimm. Wilhelm's character was a complete contrast to that of his brother. As a boy, he was strong and healthy, but while growing up he suffered a long and severe illness which left him weak the rest of his life. He had a less comprehensive and energetic mind than his brother and he had less of the spirit of investigation, preferring to confine himself to some limited and definitely bounded field of work. He utilized everything that bore directly on his own studies and ignored the rest. These studies were almost always of a literary nature. Wilhelm took great delight in music, for which his brother had but a moderate liking and he had a remarkable gift of story-telling. He was, accordingly, much sought in society, which he frequented much more than his brother.