In the 1930s, seven plays by Polish women writers created a flurry of excitement and condemnation as these women dared to question national myths, reinterpret the definition of subject, and subvert genre expectations. This study interrogates the feminism of these shocking dramas.
In the 1930s, seven plays by Polish women writers created a flurry of excitement and condemnation as these women dared to question national myths, reinterpret the definition of subject, and subvert genre expectations. This study interrogates the feminism of these shocking dramas.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Professor of Polish and Russian at Northern Illinois University, Joanna Kot has written extensively on Polish and Russian modernist drama, including the monograph Distance Manipulation: The Russian Modernist Search for a New Drama. Her recent work focuses on 1930s Polish women playwrights as important predecessors to contemporary feminist drama.
Inhaltsangabe
Acknowledgements Introduction 1. Women and Drama in Other Western Modernisms 2. Inter-War Poland 3. Who Were They? A Short Biographical Introduction 4. What Are They? Plot Summaries of the Plays 5. Theorizing the Subject: Seeing Through an Essentialist Lens 6. Theorizing the Subject: Possibilities of Change 7. The Subject Vis-à- Vis Cultural Myths 8. Dramatic Fissures 9. Inter-War Critical Reception Conclusion Bibliography Index
Acknowledgements Introduction 1. Women and Drama in Other Western Modernisms 2. Inter-War Poland 3. Who Were They? A Short Biographical Introduction 4. What Are They? Plot Summaries of the Plays 5. Theorizing the Subject: Seeing Through an Essentialist Lens 6. Theorizing the Subject: Possibilities of Change 7. The Subject Vis-à- Vis Cultural Myths 8. Dramatic Fissures 9. Inter-War Critical Reception Conclusion Bibliography Index
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