Composers in the Middle Ages
Herausgeber: Rillon-Marne, Anne-Zoé; Saint-Cricq, Gaël
Composers in the Middle Ages
Herausgeber: Rillon-Marne, Anne-Zoé; Saint-Cricq, Gaël
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A reflection on the idea of the "composer" in the medieval period, including a study of the individuals and groups active in the creation of medieval music.
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A reflection on the idea of the "composer" in the medieval period, including a study of the individuals and groups active in the creation of medieval music.
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Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 336
- Erscheinungstermin: 19. November 2024
- Englisch
- ISBN-13: 9781837650354
- ISBN-10: 1837650357
- Artikelnr.: 71207414
- Verlag: Boydell & Brewer
- Seitenzahl: 336
- Erscheinungstermin: 19. November 2024
- Englisch
- ISBN-13: 9781837650354
- ISBN-10: 1837650357
- Artikelnr.: 71207414
Edited by Anne-Zoé Rillon-Marne and Gaël Saint-Cricq
Introduction: From Composer to Composers Gaël Saint-Cricq, with Anne-Zoé
Rillon-Marne I. Historiographical Critique 1. Gregory and Friends: Plural
Authorities in the History of Romano-Frankish Chant Henry Parkes 2.
Inspiration vs Attribution: The Voice of the Planctus ante nescia Charles
E. Brewer 3. Petrus de Cruce, Philippe de Vitry, Notational Epochs, and the
Spans of Human Lives Anna Zayaruznaya II. Ascriptions, Attributions,
Signatures 4. Composing in the Late Middle Ages: Paradoxes in Anonymity and
Attributions Margaret Bent 5. Questions of Signatures and Authorship: Some
Elusive Scribes and Artists in Late Thirteenth- and Early
Fourteenth-Century France Alison Stones III. Medieval Constructions of
Authority and of the Authorial Persona 6. Encoded Signatures: Devotion and
Artistic Self-Presentation in the Motet Ferre solet (1373) Manon Louviot
7. The (Critical) Reception of Adam de la Halle's Motets by Petrus de Cruce
and His Circle Catherine A. Bradley IV. The Composing Workshop 8. In the
Writing Workshop: Composing for the Stage in French during the Long
Fifteenth Century Estelle Doudet 9. Facere, Componere, Invenire:
Reassembling the Composer in the Long Thirteenth Century Mark Everist V.
Composers as Communities10. W. de Wicumbe as a Composer of Alleluya
Rondelli Karen Desmond 11. Rethinking Trouvère: Biographical and Historical
Perspectives on Thirteenth-Century Musical Culture Brianne Dolce 12.
Encounters of Poets, Composers and Performers in Ars Nova Song: The Case of
Jaquet de Noyon, Minstrel, and the Ballade Puis que je sui fumeux Yolanda
Plumley General bibliography Index of sources Index of proper nouns and
places Index of works
Rillon-Marne I. Historiographical Critique 1. Gregory and Friends: Plural
Authorities in the History of Romano-Frankish Chant Henry Parkes 2.
Inspiration vs Attribution: The Voice of the Planctus ante nescia Charles
E. Brewer 3. Petrus de Cruce, Philippe de Vitry, Notational Epochs, and the
Spans of Human Lives Anna Zayaruznaya II. Ascriptions, Attributions,
Signatures 4. Composing in the Late Middle Ages: Paradoxes in Anonymity and
Attributions Margaret Bent 5. Questions of Signatures and Authorship: Some
Elusive Scribes and Artists in Late Thirteenth- and Early
Fourteenth-Century France Alison Stones III. Medieval Constructions of
Authority and of the Authorial Persona 6. Encoded Signatures: Devotion and
Artistic Self-Presentation in the Motet Ferre solet (1373) Manon Louviot
7. The (Critical) Reception of Adam de la Halle's Motets by Petrus de Cruce
and His Circle Catherine A. Bradley IV. The Composing Workshop 8. In the
Writing Workshop: Composing for the Stage in French during the Long
Fifteenth Century Estelle Doudet 9. Facere, Componere, Invenire:
Reassembling the Composer in the Long Thirteenth Century Mark Everist V.
Composers as Communities10. W. de Wicumbe as a Composer of Alleluya
Rondelli Karen Desmond 11. Rethinking Trouvère: Biographical and Historical
Perspectives on Thirteenth-Century Musical Culture Brianne Dolce 12.
Encounters of Poets, Composers and Performers in Ars Nova Song: The Case of
Jaquet de Noyon, Minstrel, and the Ballade Puis que je sui fumeux Yolanda
Plumley General bibliography Index of sources Index of proper nouns and
places Index of works
Introduction: From Composer to Composers Gaël Saint-Cricq, with Anne-Zoé
Rillon-Marne I. Historiographical Critique 1. Gregory and Friends: Plural
Authorities in the History of Romano-Frankish Chant Henry Parkes 2.
Inspiration vs Attribution: The Voice of the Planctus ante nescia Charles
E. Brewer 3. Petrus de Cruce, Philippe de Vitry, Notational Epochs, and the
Spans of Human Lives Anna Zayaruznaya II. Ascriptions, Attributions,
Signatures 4. Composing in the Late Middle Ages: Paradoxes in Anonymity and
Attributions Margaret Bent 5. Questions of Signatures and Authorship: Some
Elusive Scribes and Artists in Late Thirteenth- and Early
Fourteenth-Century France Alison Stones III. Medieval Constructions of
Authority and of the Authorial Persona 6. Encoded Signatures: Devotion and
Artistic Self-Presentation in the Motet Ferre solet (1373) Manon Louviot
7. The (Critical) Reception of Adam de la Halle's Motets by Petrus de Cruce
and His Circle Catherine A. Bradley IV. The Composing Workshop 8. In the
Writing Workshop: Composing for the Stage in French during the Long
Fifteenth Century Estelle Doudet 9. Facere, Componere, Invenire:
Reassembling the Composer in the Long Thirteenth Century Mark Everist V.
Composers as Communities10. W. de Wicumbe as a Composer of Alleluya
Rondelli Karen Desmond 11. Rethinking Trouvère: Biographical and Historical
Perspectives on Thirteenth-Century Musical Culture Brianne Dolce 12.
Encounters of Poets, Composers and Performers in Ars Nova Song: The Case of
Jaquet de Noyon, Minstrel, and the Ballade Puis que je sui fumeux Yolanda
Plumley General bibliography Index of sources Index of proper nouns and
places Index of works
Rillon-Marne I. Historiographical Critique 1. Gregory and Friends: Plural
Authorities in the History of Romano-Frankish Chant Henry Parkes 2.
Inspiration vs Attribution: The Voice of the Planctus ante nescia Charles
E. Brewer 3. Petrus de Cruce, Philippe de Vitry, Notational Epochs, and the
Spans of Human Lives Anna Zayaruznaya II. Ascriptions, Attributions,
Signatures 4. Composing in the Late Middle Ages: Paradoxes in Anonymity and
Attributions Margaret Bent 5. Questions of Signatures and Authorship: Some
Elusive Scribes and Artists in Late Thirteenth- and Early
Fourteenth-Century France Alison Stones III. Medieval Constructions of
Authority and of the Authorial Persona 6. Encoded Signatures: Devotion and
Artistic Self-Presentation in the Motet Ferre solet (1373) Manon Louviot
7. The (Critical) Reception of Adam de la Halle's Motets by Petrus de Cruce
and His Circle Catherine A. Bradley IV. The Composing Workshop 8. In the
Writing Workshop: Composing for the Stage in French during the Long
Fifteenth Century Estelle Doudet 9. Facere, Componere, Invenire:
Reassembling the Composer in the Long Thirteenth Century Mark Everist V.
Composers as Communities10. W. de Wicumbe as a Composer of Alleluya
Rondelli Karen Desmond 11. Rethinking Trouvère: Biographical and Historical
Perspectives on Thirteenth-Century Musical Culture Brianne Dolce 12.
Encounters of Poets, Composers and Performers in Ars Nova Song: The Case of
Jaquet de Noyon, Minstrel, and the Ballade Puis que je sui fumeux Yolanda
Plumley General bibliography Index of sources Index of proper nouns and
places Index of works