Andrew ParrottComposers' Intentions?
Lost Traditions of Musical Performance
Composers' Intentions, Performers' Responsibilities A Brief Anatomy of
Choirs Falsetto Beliefs: The 'countertenor' cross-examined Falsetto and the
French: 'une toute autre marche' Transposition in Monteverdi's Vespers of
1610: An 'aberration' defended Monteverdi's Vespers of 1610 Revisited
Monteverdi: Onwards and downwards High Clefs and down-to-earth
Transposition: A brief defence of Monteverdi Performing Purcell How many
singers? Vocal Ripienists and J. S. Bach's Mass in B minor Bach's Chorus:
The Leipzig line J. S. Bach's Trauer-Music for Prince Leopold:
Clarification and reconstruction Performing Machaut's Mass on record -
Review 'Grett and solompne singing': Instruments in English church music
before the Civil War Monteverdi's L'Orfeo - performance notes Purcell's
Dido & Aeneas on record - Radio Review 'Hail! bright Cecilia' (Purcell at
350) - Radio Essay
