Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself.
Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Elaine Kelly is Senior Lecturer in Music at the University of Edinburgh. She is co-editor, together with Amy Wlodarski, of Art outside the Lines: New Perspectives on GDR Art Culture (2013). Her research has been published in journals such as 19th-Century Music, Music & Letters, and Kritika: Explorations in Russian and Eurasian History.
Inhaltsangabe
Table of Contents Acknowledgements List of Abbreviations Introduction: Bourgeois Pasts and Socialist Futures Part 1: Constructing the Canon Chapter 1: Writing the Nation Chapter 2: A Case of Wagner Part 2: Critiquing the Canon Chapter 3: Late Beethoven and Late Socialism Chapter 4: The Romantic Revival and the Search for Utopia Chapter 5: Staging Late Socialism: Ruth Berghaus and the German Opera Tradition Epilogue: Art After Socialism Bibliography
Table of Contents Acknowledgements List of Abbreviations Introduction: Bourgeois Pasts and Socialist Futures Part 1: Constructing the Canon Chapter 1: Writing the Nation Chapter 2: A Case of Wagner Part 2: Critiquing the Canon Chapter 3: Late Beethoven and Late Socialism Chapter 4: The Romantic Revival and the Search for Utopia Chapter 5: Staging Late Socialism: Ruth Berghaus and the German Opera Tradition Epilogue: Art After Socialism Bibliography
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