Jane D Hatter

Composing Community in Late Medieval Music

Self-Reference, Pedagogy, and Practice

• Gebundenes Buch

Produktbeschreibung

An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 298
• Erscheinungstermin: 2. Mai 2019
• Englisch
• Abmessung: 254mm x 179mm x 22mm
• Gewicht: 763g
• ISBN-13: 9781108474917
• ISBN-10: 1108474918
• Artikelnr.: 55396288

Autorenporträt

Jane D. Hatter is an assistant professor of musicology at the University of Utah. Her research delves into the musical communities that developed around fifteenth- and sixteenth-century music, including musical self-reference and intersections between music and the visual arts. Her examination of musical time and sexuality in early sixteenth-century Italian paintings is one of the five most read articles in the Oxford journal Early Music.

Inhaltsangabe

Introduction
Part I. Music about Musicians: 1. Paintings about painters to music about musicians
2. Miserere Supplicanti Du Fay: building community through musical devotions at Cambrai Cathedral
3. Ora Pro Nobis: forms of self-reference in musical prayers for musicians
4. Plorer, Gemir, Crier: musical mourning and the composer
Part II. Music about Music: 5. Paintings about painting and music about music-making
6. Simple lessons? Music theory as emblem of composition
7. Constructing the composer: symbolic use of the hexachord in compositions c.1500
8. Conclusion.