Phil Powrie / Robynn Stilwell

Composing for the Screen in Germany and the USSR

Cultural Politics and Propaganda
Herausgeber: Powrie, Phil; Stilwell, Robynn J

• Broschiertes Buch

Produktbeschreibung

They apply a variety of methodologies-including archival work, close readings, political histories, and style comparison-to this under explored field.

Produktdetails

• Verlag: Indiana University Press
• Seitenzahl: 200
• Erscheinungstermin: 26. Dezember 2007
• Englisch
• Abmessung: 239mm x 159mm x 15mm
• Gewicht: 338g
• ISBN-13: 9780253219541
• ISBN-10: 025321954X
• Artikelnr.: 22938910

Autorenporträt

edited by Phil Powrie, Robynn J. Stilwell

Inhaltsangabe

Contents
Introduction
Part 1. Germany
1. Film Music in the Third ReichRobert E. Peck
2. Herbert Windt's Film Music to Triumph of the Will: Ersatz-Wagner or
Incidental Music to the Ultimate Nazi-Gesamtkunstwerk?Reimar Volker
3. Alban Berg, Lulu, and the Silent FilmMarc Weiner
4. From Revolution to Mystic Mountains: Edmund Meisel and the Politics of
ModernismChristopher Morris
5. New Technologies and Old Rites: Dissonance between Picture and Music in
Readings of Joris Ivens's RainEd Hughes
6. "Composition with Film": Mauricio Kagel as FilmmakerBjörn Heile
Part 2. The USSR
7. Eisenstein's Theory of Film Music Revisited: Silent and Early Sound
AntecedentsJulie Hubbert
8. Aleksandr Nevskiy: Prokofiev's Successful Compromise with Socialist
RealismRebecca Schwartz-Bishir
9. In Marginal Fashion: Sex, Drugs, Russian Modernism, and New Wave Music
in Liquid SkyMitchell Morris
List of Contributors
Index