Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and itencourages us to rethink the role of music and sound within our greater understanding of the universe.
Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and itencourages us to rethink the role of music and sound within our greater understanding of the universe.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Hicks is an Assistant Professor of Music and Medieval Studies at Cornell University, a member of the graduate fields of Classics and Near Eastern Studies, and a faculty affiliate in Religious Studies. His scholarship clusters around the intellectual history of musical thought from a cross-disciplinary perspective that embraces philosophical, cosmological, scientific, and grammatical discourse in Late Antiquity and the Middle Ages, and spans the linguistic and cultural spheres of Latin, Greek, Persian, and Arabic.
Inhaltsangabe
Contents List of Illustrations Series Editors' Foreword Abbreviations Acknowledgements About the Companion Website PRELUDE: Listening to the Universe PART ONE: The Framework 1. Harmonizing the World: Natural Philosophy and Order 2. Knowing the World: Music, Mathematics, and Physics PART TWO: The Particulars 3. Composing the Human: Harmonies of the Microcosm 4. Hearing the World: Sonic Materialisms 5. Composing the Cosmic: Harmonies of the Macrocosm POSTLUDE: The Musical Aesthetics of a World So Composed Appendix One: William of Conches, Glosulae de magno Prisciano Appendix Two: Hisdosus, De anima mundi Platonica Works Cited Index
Contents List of Illustrations Series Editors' Foreword Abbreviations Acknowledgements About the Companion Website PRELUDE: Listening to the Universe PART ONE: The Framework 1. Harmonizing the World: Natural Philosophy and Order 2. Knowing the World: Music, Mathematics, and Physics PART TWO: The Particulars 3. Composing the Human: Harmonies of the Microcosm 4. Hearing the World: Sonic Materialisms 5. Composing the Cosmic: Harmonies of the Macrocosm POSTLUDE: The Musical Aesthetics of a World So Composed Appendix One: William of Conches, Glosulae de magno Prisciano Appendix Two: Hisdosus, De anima mundi Platonica Works Cited Index
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