Composition, Performance, Reception

Studies in the Creative Process in Music
Herausgeber: Thomas, Wyndham

• Gebundenes Buch

Produktbeschreibung

Composers, performers, listeners, critics and theorists all play vital roles in the creation of music culture; yet often each group can appear to hold widely divergent views of a musical work's aims and effects. As the title indicates, this book examines the parts played by these groups and the interaction between them. These absorbing essays offer new insights into our understanding of music making in all its senses, and suggest future ways of approaching works whether as a composer, performers or listener.

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Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 200
• Erscheinungstermin: 29. Oktober 1998
• Englisch
• Abmessung: 241mm x 162mm x 22mm
• Gewicht: 408g
• ISBN-13: 9781859283257
• ISBN-10: 185928325X
• Artikelnr.: 57052821

Autorenporträt

Wyndham Thomas

Inhaltsangabe

Contents: Preface Jonathan Harvey
Introduction Wyndham Thomas
The Process of Composition from Detection to Confection Robert Saxton
The Composer and Opera Performance Raymond Warren
Composing, Arranging and Editing: A Historical Survey Wyndham Thomas
A Performer's Responsibility Susan Bradshaw
Freedom of Interpretation in Twentieth-Century Music Charles Rosen
The Body in Performance Eric Clarke and Jane Davidson
Expectation and Interpretation in the Reception of New Music: A Case Study Adrian Beaumont
The Domestic Gesamtkunstwerk, or Record Sleeves and Reception Nicholas Cook
Form and Forming: From Victorian Aesthetics to the Mid-twentieth-Century Avant-Garde Bojan Bujic
Stravinsky and the Vicious Circle: Some Remarks about the Composer and the Press Stephen Walsh
Mobilising our Man: Politics and Music in Poland during the Decade after World War II Adrian Thomas
Notes
Lists of Examples and Illustrations
Contributor's Details
Index.