Compositional Choices and Meaning in the Vocal Music of J. S. Bach
Herausgeber: Peters, Mark A.; Sanders, Reginald L.
Compositional Choices and Meaning in the Vocal Music of J. S. Bach
Herausgeber: Peters, Mark A.; Sanders, Reginald L.
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Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The essays explore Bach's sacred vocal music from the perspectives of historical theology, music analysis, the study of parody procedures, and reception history.
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Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The essays explore Bach's sacred vocal music from the perspectives of historical theology, music analysis, the study of parody procedures, and reception history.
Produktdetails
- Produktdetails
- Contextual Bach Studies
- Verlag: Lexington Books
- Seitenzahl: 356
- Erscheinungstermin: 4. Juni 2018
- Englisch
- Abmessung: 235mm x 157mm x 24mm
- Gewicht: 668g
- ISBN-13: 9781498554954
- ISBN-10: 1498554954
- Artikelnr.: 51804763
- Contextual Bach Studies
- Verlag: Lexington Books
- Seitenzahl: 356
- Erscheinungstermin: 4. Juni 2018
- Englisch
- Abmessung: 235mm x 157mm x 24mm
- Gewicht: 668g
- ISBN-13: 9781498554954
- ISBN-10: 1498554954
- Artikelnr.: 51804763
Mark A. Peters is professor of music at Trinity Christian College. Reginald L. Sanders is professor of music at Kenyon College.
Series Editor Foreword Robin A. Leaver Preface Mark A. Peters and Reginald
L. Sanders Paragram for Professor Dr. Don O. Franklin Ruth Tatlow Part I:
Bach's Vocal Music in Theological Context 1. In Honor of God and the City:
Strategies of Theological and Symbolic Communication in Bach's Cantata Gott
ist mein König (BWV 71) Markus Rathey 2. Two "Johannine" Cantatas: Darzu
ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV
64) Eric Chafe 3. Death to Life, Sorrow to Joy: Martin Luther's Theology of
the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen
(BWV 103) Mark A. Peters 4. Toward an Understanding of J. S. Bach's Use of
Red Ink in the Autograph Score of the Matthew Passion Mary Greer 5. The
Theological in Bach Research (2007) Martin Petzoldt Part II: Analytical
Perspectives 6. Formal and Motivic Design in the Opening Chorus of J. S.
Bach's Magnificat Reginald L. Sanders 7. The Tonally Open Ritornello in J.
S. Bach's Church Cantatas Kayoung Lee 8. The Christian Believer and the
Sleep of Jesus: "Mache dich, mein Herze, rein" from J. S. Bach's Matthew
Passion Wye J. Allanbrook Part III: Bach's Self-Modeling: Parody as
Compositional Impetus 9. Parody and Text Quality in the Vocal Works of J.
S. Bach Hans-Joachim Schulze 10. J. S. Bach's Parodies of Vocal Music:
Conservation or Intensification? Robin A. Leaver 11. J. S. Bach's Dresden
Trip and His Earliest Serenatas for Köthen Gregory Butler 12. Bach's Second
Thoughts on the Christmas Oratorio: The Compositional Revisions to "Bereite
dich, Zion," BWV 248/4 Steven Saunders 13. The Passions as a Source of
Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered
Clavier II Yo Tomita Part IV: The Reception of Bach's Vocal Works 14. The
Leipzig Audiences of J. S. Bach's Matthew Passion to 1750 Tanya Kevorkian
15. The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The
Complete Works Jason B. Grant 16. The Need for a New Music: J. S. Bach in
Contemporary Context (1946) William H. Scheide 17. Bach at the Boundaries
of Music History: Preliminary Thoughts on the B-minor Mass and the Late
Style Paradigm Robert L. Marshall About the Authors
L. Sanders Paragram for Professor Dr. Don O. Franklin Ruth Tatlow Part I:
Bach's Vocal Music in Theological Context 1. In Honor of God and the City:
Strategies of Theological and Symbolic Communication in Bach's Cantata Gott
ist mein König (BWV 71) Markus Rathey 2. Two "Johannine" Cantatas: Darzu
ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV
64) Eric Chafe 3. Death to Life, Sorrow to Joy: Martin Luther's Theology of
the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen
(BWV 103) Mark A. Peters 4. Toward an Understanding of J. S. Bach's Use of
Red Ink in the Autograph Score of the Matthew Passion Mary Greer 5. The
Theological in Bach Research (2007) Martin Petzoldt Part II: Analytical
Perspectives 6. Formal and Motivic Design in the Opening Chorus of J. S.
Bach's Magnificat Reginald L. Sanders 7. The Tonally Open Ritornello in J.
S. Bach's Church Cantatas Kayoung Lee 8. The Christian Believer and the
Sleep of Jesus: "Mache dich, mein Herze, rein" from J. S. Bach's Matthew
Passion Wye J. Allanbrook Part III: Bach's Self-Modeling: Parody as
Compositional Impetus 9. Parody and Text Quality in the Vocal Works of J.
S. Bach Hans-Joachim Schulze 10. J. S. Bach's Parodies of Vocal Music:
Conservation or Intensification? Robin A. Leaver 11. J. S. Bach's Dresden
Trip and His Earliest Serenatas for Köthen Gregory Butler 12. Bach's Second
Thoughts on the Christmas Oratorio: The Compositional Revisions to "Bereite
dich, Zion," BWV 248/4 Steven Saunders 13. The Passions as a Source of
Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered
Clavier II Yo Tomita Part IV: The Reception of Bach's Vocal Works 14. The
Leipzig Audiences of J. S. Bach's Matthew Passion to 1750 Tanya Kevorkian
15. The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The
Complete Works Jason B. Grant 16. The Need for a New Music: J. S. Bach in
Contemporary Context (1946) William H. Scheide 17. Bach at the Boundaries
of Music History: Preliminary Thoughts on the B-minor Mass and the Late
Style Paradigm Robert L. Marshall About the Authors
Series Editor Foreword Robin A. Leaver Preface Mark A. Peters and Reginald
L. Sanders Paragram for Professor Dr. Don O. Franklin Ruth Tatlow Part I:
Bach's Vocal Music in Theological Context 1. In Honor of God and the City:
Strategies of Theological and Symbolic Communication in Bach's Cantata Gott
ist mein König (BWV 71) Markus Rathey 2. Two "Johannine" Cantatas: Darzu
ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV
64) Eric Chafe 3. Death to Life, Sorrow to Joy: Martin Luther's Theology of
the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen
(BWV 103) Mark A. Peters 4. Toward an Understanding of J. S. Bach's Use of
Red Ink in the Autograph Score of the Matthew Passion Mary Greer 5. The
Theological in Bach Research (2007) Martin Petzoldt Part II: Analytical
Perspectives 6. Formal and Motivic Design in the Opening Chorus of J. S.
Bach's Magnificat Reginald L. Sanders 7. The Tonally Open Ritornello in J.
S. Bach's Church Cantatas Kayoung Lee 8. The Christian Believer and the
Sleep of Jesus: "Mache dich, mein Herze, rein" from J. S. Bach's Matthew
Passion Wye J. Allanbrook Part III: Bach's Self-Modeling: Parody as
Compositional Impetus 9. Parody and Text Quality in the Vocal Works of J.
S. Bach Hans-Joachim Schulze 10. J. S. Bach's Parodies of Vocal Music:
Conservation or Intensification? Robin A. Leaver 11. J. S. Bach's Dresden
Trip and His Earliest Serenatas for Köthen Gregory Butler 12. Bach's Second
Thoughts on the Christmas Oratorio: The Compositional Revisions to "Bereite
dich, Zion," BWV 248/4 Steven Saunders 13. The Passions as a Source of
Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered
Clavier II Yo Tomita Part IV: The Reception of Bach's Vocal Works 14. The
Leipzig Audiences of J. S. Bach's Matthew Passion to 1750 Tanya Kevorkian
15. The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The
Complete Works Jason B. Grant 16. The Need for a New Music: J. S. Bach in
Contemporary Context (1946) William H. Scheide 17. Bach at the Boundaries
of Music History: Preliminary Thoughts on the B-minor Mass and the Late
Style Paradigm Robert L. Marshall About the Authors
L. Sanders Paragram for Professor Dr. Don O. Franklin Ruth Tatlow Part I:
Bach's Vocal Music in Theological Context 1. In Honor of God and the City:
Strategies of Theological and Symbolic Communication in Bach's Cantata Gott
ist mein König (BWV 71) Markus Rathey 2. Two "Johannine" Cantatas: Darzu
ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV
64) Eric Chafe 3. Death to Life, Sorrow to Joy: Martin Luther's Theology of
the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen
(BWV 103) Mark A. Peters 4. Toward an Understanding of J. S. Bach's Use of
Red Ink in the Autograph Score of the Matthew Passion Mary Greer 5. The
Theological in Bach Research (2007) Martin Petzoldt Part II: Analytical
Perspectives 6. Formal and Motivic Design in the Opening Chorus of J. S.
Bach's Magnificat Reginald L. Sanders 7. The Tonally Open Ritornello in J.
S. Bach's Church Cantatas Kayoung Lee 8. The Christian Believer and the
Sleep of Jesus: "Mache dich, mein Herze, rein" from J. S. Bach's Matthew
Passion Wye J. Allanbrook Part III: Bach's Self-Modeling: Parody as
Compositional Impetus 9. Parody and Text Quality in the Vocal Works of J.
S. Bach Hans-Joachim Schulze 10. J. S. Bach's Parodies of Vocal Music:
Conservation or Intensification? Robin A. Leaver 11. J. S. Bach's Dresden
Trip and His Earliest Serenatas for Köthen Gregory Butler 12. Bach's Second
Thoughts on the Christmas Oratorio: The Compositional Revisions to "Bereite
dich, Zion," BWV 248/4 Steven Saunders 13. The Passions as a Source of
Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered
Clavier II Yo Tomita Part IV: The Reception of Bach's Vocal Works 14. The
Leipzig Audiences of J. S. Bach's Matthew Passion to 1750 Tanya Kevorkian
15. The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The
Complete Works Jason B. Grant 16. The Need for a New Music: J. S. Bach in
Contemporary Context (1946) William H. Scheide 17. Bach at the Boundaries
of Music History: Preliminary Thoughts on the B-minor Mass and the Late
Style Paradigm Robert L. Marshall About the Authors