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  • Gebundenes Buch

"This book examines how compression can be understood not only as a digital process enacted through computing, but as an economic and political phenomenon that impacts the ecology of waste, diversity and social inclusivity. Beginning with a linguistic underpinning of visual space, the book examines the development of the MP3 algorithm and the 'waste' it creates, challenging the wisdom that human reason and language is uniquely capable of bringing order to chaos. Returning to the idea of a sonic economy, the book reintroduces waste, error and other discarded material back into our systems of thought-and into systems beyond our thought"--…mehr

Produktbeschreibung
"This book examines how compression can be understood not only as a digital process enacted through computing, but as an economic and political phenomenon that impacts the ecology of waste, diversity and social inclusivity. Beginning with a linguistic underpinning of visual space, the book examines the development of the MP3 algorithm and the 'waste' it creates, challenging the wisdom that human reason and language is uniquely capable of bringing order to chaos. Returning to the idea of a sonic economy, the book reintroduces waste, error and other discarded material back into our systems of thought-and into systems beyond our thought"--
Autorenporträt
Stephen Kennedy is Professor of Critical Theory & Practice at the University of Greenwich, UK. He is the author of Chaos Media: A Sonic Economy of Digital Space (Bloomsbury, 2015) and Future Sounds: The Temporality of Noise (Bloomsbury, 2018). His work involves reformulating the idea of noise as a means of supporting philosophical frameworks capable of accounting for the complex nature of contemporary digital environments.