"Computational Formalism investigates examples of art historical analysis in the fields of computer and information sciences, and frames this research in the context of art historiography. The use of machine learning to analyze art images has ushered in a renewed interest in formalism in art history, but these new techniques create new critical challenges for the field"--
"Computational Formalism investigates examples of art historical analysis in the fields of computer and information sciences, and frames this research in the context of art historiography. The use of machine learning to analyze art images has ushered in a renewed interest in formalism in art history, but these new techniques create new critical challenges for the field"--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Amanda Wasielewski is Assistant Professor in Digital Humanities at Uppsala University. She is the author of Made in Brooklyn: Artists, Hipsters, Makers, Gentrifiers and From City Space to Cyberspace: Art, Squatting, and Internet Culture in the Netherlands.
Inhaltsangabe
Series Foreword ix Acknowledgments xi Introduction: Return to Form 1 Machine Learning and Computer Vision 3 The New Science Wars 11 Digital Art History 16 Objectivity and Cultural Studies 22 Art History and Objectivity 25 Computational Formalism 30 Questions of Style 34 1 The Shape of Data 39 Digitization and Dataset Creation 42 The Semantic Gap 49 Artificial ArtHistorian 51 Image Selection 60 Image Categorization 67 Stylistic Determinism 75 Style Unsupervised 79 Stylistic Devices 84 2 Deep Connoisseurship 87 Cat, Dog, or Virgin Mary? 92 Value, Fame, and the Artist's Hand 95 Opening the Black Box 101 The Business of Authenticity 107 Next-Level Forgeries and Fakes 115 An Artificial Artist? 119 Poor Images 124 3 Conclusion: Man, Machine, Metaphor 127 The Rise of the Humanities Lab 133 Foreign Metaphors as Interdisciplinary Tool 135 Appendix: Classification by Artistic Style, Publications in Computer Science, 2005-2021, Including the Development and Utilization of Fine Art Datasets 139 Notes 145 Index 177
Series Foreword ix Acknowledgments xi Introduction: Return to Form 1 Machine Learning and Computer Vision 3 The New Science Wars 11 Digital Art History 16 Objectivity and Cultural Studies 22 Art History and Objectivity 25 Computational Formalism 30 Questions of Style 34 1 The Shape of Data 39 Digitization and Dataset Creation 42 The Semantic Gap 49 Artificial ArtHistorian 51 Image Selection 60 Image Categorization 67 Stylistic Determinism 75 Style Unsupervised 79 Stylistic Devices 84 2 Deep Connoisseurship 87 Cat, Dog, or Virgin Mary? 92 Value, Fame, and the Artist's Hand 95 Opening the Black Box 101 The Business of Authenticity 107 Next-Level Forgeries and Fakes 115 An Artificial Artist? 119 Poor Images 124 3 Conclusion: Man, Machine, Metaphor 127 The Rise of the Humanities Lab 133 Foreign Metaphors as Interdisciplinary Tool 135 Appendix: Classification by Artistic Style, Publications in Computer Science, 2005-2021, Including the Development and Utilization of Fine Art Datasets 139 Notes 145 Index 177
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497