Concepts of Creativity in Seventeenth-Century England
Herausgeber: Herissone, Rebecca; Howard, Alan
Concepts of Creativity in Seventeenth-Century England
Herausgeber: Herissone, Rebecca; Howard, Alan
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The first genuinely interdisciplinary study of creativity in early modern England
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The first genuinely interdisciplinary study of creativity in early modern England
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 372
- Erscheinungstermin: 21. November 2013
- Englisch
- Abmessung: 234mm x 156mm x 22mm
- Gewicht: 699g
- ISBN-13: 9781843837404
- ISBN-10: 1843837404
- Artikelnr.: 37274875
- Verlag: Boydell & Brewer
- Seitenzahl: 372
- Erscheinungstermin: 21. November 2013
- Englisch
- Abmessung: 234mm x 156mm x 22mm
- Gewicht: 699g
- ISBN-13: 9781843837404
- ISBN-10: 1843837404
- Artikelnr.: 37274875
Rebecca Herissone, Alan Howard
Introduction
Rebecca Herissone 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court
Andrew R. Walkling Creativity on Several Occasions
James A. Winn Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century
Kirsten Gibson Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor
Stephanie Carter Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
Raphael Hallett The 'Artificial Sceane': The Re
creation of Italian Architecture in John Evelyn's Diary
Anne Hultzsch Telling what is Told: Originality and Repetition in Rubens's English Works
Marina Daiman Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement
Stephen Rose A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two
Part Airs, Court
Ayres (1655)
John Cunningham 'Creating' Cato in Early Seventeenth
Century England
Freyja Cox Jensen 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity
Amanda Eubanks Winkler Music and Manly Wit in Seventeenth
Century England
Linda Phyllis Austern
Rebecca Herissone 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court
Andrew R. Walkling Creativity on Several Occasions
James A. Winn Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century
Kirsten Gibson Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor
Stephanie Carter Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
Raphael Hallett The 'Artificial Sceane': The Re
creation of Italian Architecture in John Evelyn's Diary
Anne Hultzsch Telling what is Told: Originality and Repetition in Rubens's English Works
Marina Daiman Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement
Stephen Rose A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two
Part Airs, Court
Ayres (1655)
John Cunningham 'Creating' Cato in Early Seventeenth
Century England
Freyja Cox Jensen 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity
Amanda Eubanks Winkler Music and Manly Wit in Seventeenth
Century England
Linda Phyllis Austern
Introduction
Rebecca Herissone 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court
Andrew R. Walkling Creativity on Several Occasions
James A. Winn Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century
Kirsten Gibson Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor
Stephanie Carter Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
Raphael Hallett The 'Artificial Sceane': The Re
creation of Italian Architecture in John Evelyn's Diary
Anne Hultzsch Telling what is Told: Originality and Repetition in Rubens's English Works
Marina Daiman Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement
Stephen Rose A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two
Part Airs, Court
Ayres (1655)
John Cunningham 'Creating' Cato in Early Seventeenth
Century England
Freyja Cox Jensen 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity
Amanda Eubanks Winkler Music and Manly Wit in Seventeenth
Century England
Linda Phyllis Austern
Rebecca Herissone 'Big with New Events and some Unheard Success': Absolutism and Creativity at the Restoration Court
Andrew R. Walkling Creativity on Several Occasions
James A. Winn Author, Musician, Composer: Creator? Figuring Musical Creativity in Print at the Turn of the Seventeenth Century
Kirsten Gibson Published Musical Variants and Creativity: An Overview of John Playford's Role as Editor
Stephanie Carter Space, Text and Creativity in the Late Sixteenth and Seventeenth Centuries
Raphael Hallett The 'Artificial Sceane': The Re
creation of Italian Architecture in John Evelyn's Diary
Anne Hultzsch Telling what is Told: Originality and Repetition in Rubens's English Works
Marina Daiman Plagiarism at the Academy of Ancient Music: A Case Study in Authorship, Style and Judgement
Stephen Rose A meeting of Amateur and Professional: Playford's 'Compendious' Collection of Two
Part Airs, Court
Ayres (1655)
John Cunningham 'Creating' Cato in Early Seventeenth
Century England
Freyja Cox Jensen 'Our Friend Venus Performed to a Miracle': Anne Bracegirdle, John Eccles and Creativity
Amanda Eubanks Winkler Music and Manly Wit in Seventeenth
Century England
Linda Phyllis Austern