An authoritative, firsthand account of conceptualism in Latin American art of the 1960s and 1970s by an artist who was at the forefront of the movement.
An authoritative, firsthand account of conceptualism in Latin American art of the 1960s and 1970s by an artist who was at the forefront of the movement.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Luis Camnitzer, an award-winning artist, essayist, and critic, is Professor Emeritus of Art at SUNY Old Westbury. He served as Viewing Program Curator at the Drawing Center in New York City from 1999 to 2006. His work is in the permanent collections of major museums in the United States, Latin America, Europe, and the Middle East.
Inhaltsangabe
1. Salpicón (Medley) and Compota (Sweetmeats): A Second Introduction 2. Agitation or Construction? 3. The Terms: "Indefinitions" and Differences 4. Conceptual Art and Conceptualism in Latin America 5. Simón Rodríguez 6. The Tupamaros 7. Tucumán arde: Politics in Art 8. The Aftermath of Tucumán arde 9. Figuration, Abstraction, and Meanings 10. The Intellectual Context 11. The Input of Pedagogy 12. The Importance of Literature 13. Poetry and Literature 14. The Markers of Latin American Conceptualism 15. Postpoetry 16. Postfiguration 17. Postpolitics 18. The Destruction and Survival of Locality 19. From Politics to Identity 20. Diaspora 21. The Historical Unfitting 22. From Politics into Spectacle and Beyond 23. Beyond Art Notes Bibliography Index
1. Salpicón (Medley) and Compota (Sweetmeats): A Second Introduction 2. Agitation or Construction? 3. The Terms: "Indefinitions" and Differences 4. Conceptual Art and Conceptualism in Latin America 5. Simón Rodríguez 6. The Tupamaros 7. Tucumán arde: Politics in Art 8. The Aftermath of Tucumán arde 9. Figuration, Abstraction, and Meanings 10. The Intellectual Context 11. The Input of Pedagogy 12. The Importance of Literature 13. Poetry and Literature 14. The Markers of Latin American Conceptualism 15. Postpoetry 16. Postfiguration 17. Postpolitics 18. The Destruction and Survival of Locality 19. From Politics to Identity 20. Diaspora 21. The Historical Unfitting 22. From Politics into Spectacle and Beyond 23. Beyond Art Notes Bibliography Index
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