Beyond Unity: Toward an Understanding of Musical Postmodernism The
Art-Science of Music after Two Millennia Aspects of Confluence between
Western Art Music and Ethnomusicoloy Twelve-Tone Composition and the Music
of Elliott Carter An Analysis of Polyrhythm in Selected Improvisd Jazz
Solos A Generalization of Contour Theory to Diverse Musical Spaces:
Analytical Applications to the Music of Dallapiccola and
StockhausenStockhausen A Generalization of Contour Theory to diverse
Musical Spaces: Analytical Applications to the Music ofDdallapiccola and
StockhausenStockhausen The Beatles as Composers: The Genesis of Abbey Road,
Side Two Structural Factors in the Microcanonic Compositions of Gyorgy
Ligeti Theory, Analysis, and the "Problem" of Minimal Music The Question of
Climax in Ruth Crawford's String Quartet, Mvt. 3 Does the Song Remain the
Same? Questions of Authorship and Identification in the Music of Led
Zeppelin Theories of Chordal Shape, Aspects of Linguistics, and their Roles
in Structuring Berio's Sequenza IV for Piano Stylistic Competencies,
Musical Satire, and "This is Spinal Tap" Music Theory and the Postmodern
Muse: An Afterword
