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Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and pracrical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.

Produktbeschreibung
Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and pracrical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.
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Autorenporträt
Paul Taylor is curator of the photographic collection at the Warburg Institute, University of London, and editor of the Journal of the Warburg and Courtauld Institutes. He has written numerous articles and contributed to many books; he is the author of Dutch Flower Painting 1600-1720 (1995) and the editor of Pictorial Composition from Medieval to Modern Art (2000), The Iconography of Cylinder Seals (2006); Iconography without Texts (2008); and, most recently, Meditations on a Heritage: Papers on the Work and Legacy of Sir Ernst Gombrich (2014), also published by Paul Holberton publishing.