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  • Broschiertes Buch

A collection of essays on the interpretation of more unusual concert pieces, chosen to present an imaginative programme and to use pieces by composers whose output would never make up a whole book. This compilation spans a little over 100 years from the 19th and 20th centuries.
The final book in Norman Del Mar's `Conducting...' series. This study of a collection of shorter orchestral pieces by composers whose output would not make a whole book is full of expert advice and broad-minded appreciation of a wide range of music. Easily readable by conducting student or music-lover, it is equally…mehr

Produktbeschreibung
A collection of essays on the interpretation of more unusual concert pieces, chosen to present an imaginative programme and to use pieces by composers whose output would never make up a whole book. This compilation spans a little over 100 years from the 19th and 20th centuries.
The final book in Norman Del Mar's `Conducting...' series. This study of a collection of shorter orchestral pieces by composers whose output would not make a whole book is full of expert advice and broad-minded appreciation of a wide range of music. Easily readable by conducting student or music-lover, it is equally an invaluable handbook for the expert. Once again, the book has been edited and seen through the press by Jonathan Del Mar, son of the late Norman DelMar.
Autorenporträt
Distinguished conductor, now deceased.