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  • Broschiertes Buch

A collection of essays on the interpretation of more unusual concert pieces, chosen to present an imaginative programme and to use pieces by composers whose output would never make up a whole book. This compilation spans a little over 100 years from the 19th and 20th centuries.
The final book in Norman Del Mar's `Conducting...' series. This study of a collection of shorter orchestral pieces by composers whose output would not make a whole book is full of expert advice and broad-minded appreciation of a wide range of music. Easily readable by conducting student or music-lover, it is equally…mehr

Produktbeschreibung
A collection of essays on the interpretation of more unusual concert pieces, chosen to present an imaginative programme and to use pieces by composers whose output would never make up a whole book. This compilation spans a little over 100 years from the 19th and 20th centuries.
The final book in Norman Del Mar's `Conducting...' series. This study of a collection of shorter orchestral pieces by composers whose output would not make a whole book is full of expert advice and broad-minded appreciation of a wide range of music. Easily readable by conducting student or music-lover, it is equally an invaluable handbook for the expert. Once again, the book has been edited and seen through the press by Jonathan Del Mar, son of the late Norman DelMar.
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Autorenporträt
Distinguished conductor, now deceased.