Confluences 2
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The essays in this volume continue the examination, begun in Confluences 1, of the exciting new writing that has emerged in Canada in the past few decades. Employing a variety of approaches and addressing the many concerns engaging their author-subjects--memory, history, and concentric identities; the subordination of Indian women; the exploitation of Afro-Caribbean immigrants; the "nowarianism" of Indo-Caribbean Canadians; the legacy of Japanese internment during World War II; historical Black experience and meaningful aesthetics; Chinatown as geography, repository, and inspiration--this new…mehr

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Produktbeschreibung
The essays in this volume continue the examination, begun in Confluences 1, of the exciting new writing that has emerged in Canada in the past few decades. Employing a variety of approaches and addressing the many concerns engaging their author-subjects--memory, history, and concentric identities; the subordination of Indian women; the exploitation of Afro-Caribbean immigrants; the "nowarianism" of Indo-Caribbean Canadians; the legacy of Japanese internment during World War II; historical Black experience and meaningful aesthetics; Chinatown as geography, repository, and inspiration--this new body of writing collectively redefines and challenges the idea of Canadian Literature.
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Autorenporträt
Nurjehan Aziz is the editor of Her Mother's Ashes: Stories by South Asian Women in Canada and the United States, The Relevance of Islamic Identity in Canada, and more recently Confluences 1 and Confluences 2. She is the publisher at Mawenzi House. In 2024, she was appointed to the Order of Canada.