For more than three thousand years, Chinese life - from the city and the imperial palace, to the temple, the market and the family home - was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard - that most singular and persistent architectural form - holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese…mehr
For more than three thousand years, Chinese life - from the city and the imperial palace, to the temple, the market and the family home - was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard - that most singular and persistent architectural form - holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian idea of zhongyong ('the Middle Way'), the Chinese moral universe and the virtuous good life in the absence of an awesome God, and shows how these can only be fully understood through the humble courtyard - a space which is grounded in the earth, yet open to the heavens. Erudite, elegant and illustrated throughout by the author's own architectural drawings and sketches, Confucius' Courtyard weaves together architecture, philosophy and cultural history to explore what lies at the very heart of Chinese civilization.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Xing RUAN was born in Kunming, China in 1965. He studied architecture, and currently is Guangqi Chair Professor and Dean at the School of Design, Shanghai Jiao Tong University. He was Professor of Architecture at Sydney's University of New South Wales (2004-20). His books include: Fusheng Jianzhu (Floating Life and Architecture), 2020; Allegorical Architecture, 2006; New China Architecture, 2006; Hand and Mind, 2018; Topophilia and Topophobia, 2007. He is co-editor, with Ronald Knapp, of the book series Spatial Habitus: Making and Meaning in Asia's Architecture.
Inhaltsangabe
Prologue Part One: Heaven A Panacea from the Courtyard 1. What Makes the Chinese House I. The Conceptual Parti II. Confucius' Courtyard III. From Object to Void 2. Heaven and What is Below I. The Chinese Tian II. The King's City III. The Built World and the Literary World Part Two: Heaven and Earth Equilibrium in the Courtyard 3. The Divergent Tower I. The Emergence of the Individual and Metaphysics II. Immortality and Freedom Imagined 4. Secluded World and Floating Life I. The Middling Hermit II. The Artful Transition 5. A Deceiving Symbol I. The Travelling Merchant and the Oddity of their Courtyard II. Women in Chinese Marriage and Household III. Behind Good Taste and Refinement 6. Literary Enchantment and the Garden House I. Li Yü's World II. Internalized Garden and the "Horizon" beyond III. Courtyard and Decorum 7. The Golden Mean Finely Tuned I. The Anatomy of a Beijing Quadrangle II. Life and Ambience in the Hutong III. The City as a Large Quadrangle IV. Distinctive Character versus Uniformity 8. Living like the Chinese I. The "Guest" Chinese and their Chinese Courtyards II. Chinese Form and Exotic Meaning Part Three: Earth The Emancipation of Desire and the Loss of Courtyard 9. The Irresistible Metropolis I. Modern City Born of Refugee Crisis II. From Diminishing Courtyard to Porous House 10. The Assault of Modernity I. Quadrangle without the Confucian World II. The Lingering Courtyard III. Nothingness, Horizon and Discreet Pleasure Epilogue The Four or the Five Bibliography Index
Prologue Part One: Heaven A Panacea from the Courtyard 1. What Makes the Chinese House I. The Conceptual Parti II. Confucius' Courtyard III. From Object to Void 2. Heaven and What is Below I. The Chinese Tian II. The King's City III. The Built World and the Literary World Part Two: Heaven and Earth Equilibrium in the Courtyard 3. The Divergent Tower I. The Emergence of the Individual and Metaphysics II. Immortality and Freedom Imagined 4. Secluded World and Floating Life I. The Middling Hermit II. The Artful Transition 5. A Deceiving Symbol I. The Travelling Merchant and the Oddity of their Courtyard II. Women in Chinese Marriage and Household III. Behind Good Taste and Refinement 6. Literary Enchantment and the Garden House I. Li Yü's World II. Internalized Garden and the "Horizon" beyond III. Courtyard and Decorum 7. The Golden Mean Finely Tuned I. The Anatomy of a Beijing Quadrangle II. Life and Ambience in the Hutong III. The City as a Large Quadrangle IV. Distinctive Character versus Uniformity 8. Living like the Chinese I. The "Guest" Chinese and their Chinese Courtyards II. Chinese Form and Exotic Meaning Part Three: Earth The Emancipation of Desire and the Loss of Courtyard 9. The Irresistible Metropolis I. Modern City Born of Refugee Crisis II. From Diminishing Courtyard to Porous House 10. The Assault of Modernity I. Quadrangle without the Confucian World II. The Lingering Courtyard III. Nothingness, Horizon and Discreet Pleasure Epilogue The Four or the Five Bibliography Index
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