Congregational Music-Making and Community in a Mediated Age
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Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her…mehr

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Produktbeschreibung
Congregational music can be an act of praise, a vehicle for theology, an action of embodied community, as well as a means to a divine encounter. This multidisciplinary anthology approaches congregational music as media in the widest sense - as a multivalent communication action with technological, commercial, political, ideological and theological implications, where processes of mediated communication produce shared worlds and beliefs. Bringing together a range of voices, promoting dialogue across a range of disciplines, each author approaches the topic of congregational music from his or her own perspective, facilitating cross-disciplinary connections while also showcasing a diversity of outlooks on the roles that music and media play in Christian experience. The authors break important new ground in understanding the ways that music, media and religious belief and praxis become 'lived theology' in our media age, revealing the rich and diverse ways that people are living, experiencing and negotiating faith and community through music.
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Autorenporträt
Anna E. Nekola is a Visiting Assistant Professor at Denison University, teaching in the departments of Music and Communication, as well as the Queer Studies Program. Her work appears in Popular Music; The Journal of the Society for American Music; Mediating Faiths: Religion and Socio-Cultural Change in the Twenty-First Century (Ashgate 2011); Christian Congregational Music: Performance, Identity and Experience (Ashgate 2013); The Canterbury Dictionary of Hymnology; The New Grove Dictionary of American Music; and The Oxford Handbook of Music and World Christianities. Tom Wagner is a teaching fellow at the Reid School of Music, University of Edinburgh. His work appears in The Australian Journal of Communication; Journal of World Popular Music; Religions as Brands: New Persepctives on the Marketization of Religion and Spirituality(Ashgate 2014); and Religion in Times of Crisis (2014). He is also co-editor of Christian Congregational Music: Performance, Identity and Experience (Ashgate 2013) with Monique Ingalls and Carolyn Landau.